Creative States of Mind

Patricia Townsend is an artist, working with video, photography and installation, and a psychoanalytic psychotherapist. Her artworks have been exhibited widely and her writing on psychoanalysis and the artist’s process has appeared in a variety of publications. She recently completed a PhD at the Slade School of Fine Art, University College London.

• Foreword by Ken Wright Acknowledgements Introduction Chapter 1: The Pre-sense Chapter 2: Preparation, Research and Gestation Chapter 3: Illumination and the Idea Chapter 4: Working with the Medium Chapter 5: The Artist’s State of Mind Chapter 6: Play and Playing Chapter 7: Creativity, Aggression and Destructiveness Chapter 8: Spaces and Frames Chapter 9: The Artist’s Internal Frame Chapter 10: Out into the World Chapter 11: Recurring Themes Postscript Appendix: Archiving of Interviews Bibliography

"This is a highly original and extremely rich study of the artistic process as one of creative processing, or working through. Valuably based on interviews with other artists as well as on Townsend’s self-reflection on her own artwork, this book compellingly argues that artistic forms grow out of our inner worlds but are not simply a representation of these. This study is the most resonant and detailed psychoanalytic account of creative processes that I have read since the work of Marion Milner. Like Milner’s contributions to our understanding of art, it should be an essential read for artists as well as for those who study them, or seek to understand artworks." --Catherine Grant, Professor of Digital Media and Screen Studies, Birkbeck, University of London"Psychoanalysis has struggled to understand the process of artistic creativity from the inside, but Patricia Townsend’s outstanding book draws on interviews with professional artists as well as her own experience to investigate the process, from the artist’s first awareness of a creative work through to its emergence into the world. Taking cues from Donald Winnicott, Marion Milner and Christopher Bollas in particular she builds a convincing and subtle account of the unfolding creative act, which will engage anyone interested in how it is that we relate creatively to our worlds." --Ken Robinson, Psychoanalyst, Visiting Professor of Psychoanalysis, Northumbria University"It is full of insight and makes the essential point "that the artwork both provides a form for a previously unformed inner experience and presents some aspect of the outside world in a new way"." --Piers Plowright, The Tablet, 20th April 2019"This book offers a window on enhancing understanding not only of ourselves as artists, but our clients, too." --Helen Jury, Book Review in Newsbriefing, Summer 2019 (The British Association of Art Therapists)"A central force behind Townsend’s book is the absence of, and need for, psychoanalytic theory which speaks specifically to the artist and their process rather than concerning the mechanism and function of creativity in the population at large. However, Townsend’s study is often at its most powerful when she allows herself to re-forge connections between fine-art practice and the everyday creativity inherent within the human experience. In one of the most resonant passages of the book Townsend proposes that our sense of ourselves as living subjects is reliant upon an essentially creative relationship with the external world whereby ‘we do not [. . .] respond to elements of the outside world as if they are fixed in meaning and essentially dead’ but instead ‘[imbue] it with our own inner experience’ (p. 116). Whether in producing a garden, making changes to a favourite recipe, or offering an interpretation of a favourite book, Townsend argues, ‘we are always in the process of self-realisation, a process of destruction and creation that is never completed. To continue this process, we must continue to "live creatively"’ (p. 116)." -- Lucy Arnold, The Year’s Work in Critical and Cultural Theory. "Through an innovative combination of ethnography and Independent object relations theory, Townsend describes the 'trajectory' of a work of art from non-ideational affective states through potential experience and imaginative elaboration to figurations of affect and ideation (formulated experience). In doing so she introduces some new vocabulary, inviting the reader to consider familiar themes afresh." -- Steven Groarke (2020) International Journal of Psychoanalysis 101:6