Creating a Global Cultural City via Public Participation in the Arts

Conversations with Hong Kongs Leading Arts and Cultural Administrators

Inbunden, Engelska, 2021

3 489 kr

Beställningsvara. Skickas inom 11-20 vardagar

Fri frakt för medlemmar vid köp för minst 249 kr.

Major changes are affecting the cultural sector around the world, and there is a need for new skills and knowledge in arts and cultural administration. This book features insightful interviews with 22 leading arts and cultural directors/CEOs in Hong Kong â discussing the most up-to-date trends and professional practices in this field. The institutions represented in the work are quite diverse, covering art archives, performing arts institutions, and even literary festivals and orchestras, etc. This book is of definite interest to arts and cultural administration professionals who are already practicing in the field, mid-level managers who are aspiring to advance their careers and to become future leaders, as well as general readers who just want to know more about the current state of arts management and the roles that our artists and organizations play in Hong Kong and in the global context.

Produktinformation

Utgivningsdatum2021-07-23
Mått233 x 157 x 27 mm
Vikt621 g
FormatInbunden
SpråkEngelska
FörlagNova Science Publishers Inc
ISBN9781536197198

Tillhör följande kategorier

Konstteori inom Kultur

Preface; Acknowledgements; Introduction; Winsome Chow, Chief Executive, The Hong Kong Arts Development Council (HKADC); Miranda K.Y. Lee (Co-author); Paul Tam, Former Executive Director, Hong Kong Ballet and Chair, Hong Kong Arts Administrators Association; Dr Andrew Freris, Chairman, The Chopin Society of Hong Kong; Yalan Yang, Ruilun Liu, Tingzi Tang and Yiwen Shao (Co-authors); Professor Adrian Walter, Former Director (CEO), The Hong Kong Academy for Performing Arts; Wei-En Hsu, (Associate Professor (Répétiteur/Collaborative Piano), The Hong Kong Academy for Performing Arts); Michael MacLeod, Chief Executive (2011-2019), Hong Kong Philharmonic Orchestra; Leanne Nicholls, Founder, Executive and Artistic Director, City Chamber Orchestra of Hong Kong; Grace Lang, Programme Director, Hong Kong Arts Festival; Yihong Zhang, Ruiqing Cai, Guo Cheng, Fan Gao and Shi Yin (Co-authors); Kelwin Kwan, Vice President and Founder, Choi Chang Sau Qin Making Society; Dr Florian Knothe, Director, Museum and Art Gallery, University of Hong Kong; Dr Isabelle Frank, Director, Indra and Harry Banga Gallery, City University of Hong Kong; Malcolm Litchfield, Former Publisher and Director, Hong Kong University Press; Veronica Castillo, Deputy Director, Collection and Exhibition Services, M+ Museum for Visual Culture, West Kowloon Cultural District; Richard Wesley, Museum Director, Hong Kong Maritime Museum; Jonathan Tong, Director of Po Leung Kuk and Sally Yeung, Curator, Po Leung Kuk Museum; David Smith, Former Head of Collections and Digital Experience, Asia Art Archive; Dr Fiona Chung, Former Festival Director, Hong Kong International Literary Festival; Tak-Yee Cheung (Co-author); Dr Charlotte Bonham-Carter, Programme Director, Culture and Enterprise Programme, Central Saint Martins, University of the Arts London; Louis K.L. Yu, Former Executive Director, Performing Arts, West Kowloon Cultural District; Bernard Charnwut Chan, Chairman, Hong Kong Palace Museum Limited; Vivienne Chow, Cultural Journalist and Critic Representing Hong Kong; Miranda K.Y. Lee (Co-author); Commentary: Bringing It All Together; Conclusion: Participatory Culture in Hong Kong -- The Need for Arts and Entertainment in a Pandemic; References; About the Authors; Index.