I frequently recommend Crafting Feminism to students looking for innovative, rigorous work on materiality and literary and cultural practice [...] It is a monograph that makes possible a whole new kind of feminist scholarship: one that includes experiments in material craft practice, creative-critical fusions, and theoretical gestures all collaged together to make a fragmentary whole. This is an urgent and beautiful example of scholarly and artistic practice: it remakes scholarship as a site for creative energy and as a celebration of historically marginalized identities [...] This book is rich, and full, and maximalist. It is a triumphant and brave first book that remakes feminist scholarly practice. It is a joyous celebration of texture, text, and textile, and of the human fragility and feeling that those media can help us see.