Del i serien Criticism and Analysis of Early Music

Counterpoint, Composition and Musica Ficta

Häftad, Engelska, 2015

AvMargaret Bent

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Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.

Produktinformation

Utgivningsdatum2015-11-24
Mått152 x 229 x 21 mm
Vikt453 g
FormatHäftad
SpråkEngelska
SerieCriticism and Analysis of Early Music
Antal sidor348
FörlagTaylor & Francis Ltd
ISBN9781138966871

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur

I. Musica Recta and Musica Ficta II. Pycard's Credo No. 76 III. Renaissance Counterpoint and Musica Ficta IV. Diatonic Ficta V. Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica Dicatonic ficta Revisited: Josquion's Ave Maria in Context VII. Editing Early Music: The Dilemma of Translation VIII. Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus tenor IX. Pycard's Double Canon: Evidence of Revision? X. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications XI. Resfacta and Cantare super librum