At the end of William Blake's The Book of Thel, an otherworldly Thel runs in horror away from her own grave site and, ostensibly, her own corpse, choosing instead to return to a place free from the rot and experience of death. Unlike Thel, readers of Corpse Encounters will "face the face of death" and be transfixed. From material disintegration to ritual production, the dead body ultimately emerges in this work as an aesthetic locus for where meaning is (re)produced and readied for consumption by the living. Elam and Pielak have constructed an informed and candid symbology of corpses, a catalogue of what it means to "care for corpses" as they were rendered historically, as they confront us today (and will tomorrow), and as we struggle to make sense of them—make them acceptable, even containable—through the literary.