Charles Villiers Stanford

Häftad, Engelska, 2017

AvPaul Rodmell

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The first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.

Produktinformation

Utgivningsdatum2017-08-30
Mått156 x 234 x undefined mm
Vikt980 g
FormatHäftad
SpråkEngelska
SerieMusic in Nineteenth-Century Britain
Antal sidor518
FörlagTaylor & Francis Ltd
ISBN9781138269033

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur
Musikböcker inom Kultur

I: Appearances; I: Moral Commitments for the Conduct of Foreign Affairs in 1941; II: Representations of Lend-Lease Aid to the Allies; III: Patrolling as Appearances; IV: The Atlantic Conference—Appearances; V: “In Case of Attack” in the Atlantic; VI: No Call for “Any Declaration of War”; VI: Appearances of Relations with Japan; VIII: The Attack—Official Explanation; II: Unveiling Realities; IX: The Beginning of Revelations; X: The Official Thesis Challenged in Congress and the Press; XI: Army and Navy Boards Undermine the Official Thesis; XII: A Congressional Committee Probes the Records and Reports; III: Realities as Described by the Pearl Harbor Documents; XIII: Engineering the Official Thesis of Guilt; XIV: Secret War Decisions and Plans; XV: Actualities of the Atlantic Conference; XVI: “Complicated. Moves” in Relations with Japan; XVII: Maneuvering the Japanese into Firing the First Shot; IV: Epilogue; XVIII: Interpretations Tested by Consequences

�The depth of research, the understanding of the composer and his times and the scholarship are impressive...The writing style is commendable, eminently readable, and yet academic without dryness�. Church Music Quarterly '... excellent... quotes correspondence extensively, and adds valuable new emphases... intertwine the life and music well.' Church Times 'Rodmell [...] makes one feel that the music [...] is actually worth hearing.' BBC Music Magazine 'Excellent as this first part of the book is, the second is even better. Moving beyond the consideration of Stanford's works and personality, it examines, by way of an extended conclusion, his legacy as a teacher and composer. This departure from the standard life-and-works format is a masterstroke, and demonstrates the extent to which Stanford influenced developments in twentieth-century British music... Thanks to Paul Rodmell's book, we may begin to see Stanford and the renaissance in the historical and critical light they deserve.' Notes