Brontës in the World of the Arts

Sandra Hagan is Professor of English at Vancouver Island University, Canada.Juliette Wells is Assistant Professor of English at Manhattanville College, USA.

• Contents: Introduction, Juliette Wells and Sandra Hagan; Educating 'the artist's eye': Charlotte Brontë and the pictorial image, Christine Alexander; Out of the picture?: Branwell Brontë and Jane Eyre, Richard J. Dunn; Anne Brontë's aesthetics: painting in The Tenant of Wildfell Hall, Antonia Losano; 'Some of your accomplishments are not ordinary': the limits of artistry in Jane Eyre, Juliette Wells; The hieroglyphics of Catherine: Emily Brontë and the musical matrix, Meg Harris Williams; Shirley's window on a musical society in transition, Juliette Wells with Ruth A Solie; It 'might gift me with a world of delight': Charlotte Brontë and the pleasures of acting, Anne W. Jackson; 'In this same gown of shadow': functions of fashion in Villette, Sara T. Bernstein; An uneasy marriage: Edmund Dulac, Lucy Snowe, and the illustration of Villette, Sandra Hagan; Jane Eyre's Other: the emergence of Bertha, Patsy Stoneman; Music of the moors: the voices of Emily Brontë and Cathy in song and opera, Linda Lister; Bibliography; Index.

'Sandra Hagan and Juliette Wells have assembled a fine collection on the Brontës and the arts. Following on the groundbreaking work of Christine Alexander in The Art of the Brontës, the essays explore the Brontës’ practice and uses of the visual arts of drawing, painting, and engraving, but expand the range to include their knowledge of music, theatre, and social performance and its presence in their novels and poetry. Essential not only for the art of the Brontës, but also for understanding the development of nineteenth-century women’s professionalism as artists, authors, and musicians.' Linda Peterson, Yale University, USA ’...These mature discussions (supplemented with wonderful illustrations) extend scholarship on the Brontës and Victorian popular arts...Recommended.’ Choice ’The collection, though primarily addressed to an academic audience, would appeal to a broad spectrum of readers: Brontë scholars and enthusiasts, literary critics and historians interested in the arts in the nineteenth century, and those intrigued by artistic adaptations of the Brontës’ lives and works.’ Brontë Studies ’By juxtaposing studies of the Brontës' own artistic practice with contemporary artists' responses to it, this collection enables readers to see why, as well as how, the Brontës live on in the popular imagination... In addition to the breadth of its contributions, the other strength of this volume is in the depth and detail of its scholarly apparatus.’ Tulsa Studies in Women's Literature ’... give[s] readers a sense of the critical energy of Brontë studies and of the possibilities for future research. ...The Brontës' 'world of the arts' has indeed become a bit more wordly, and we have Hagan and Wells to thank for that.’ Victorian Studies 'This compilation is a welcome addition to the number of "exceptional resources now available to scholars and readers who wish to investigate these interdisciplinary intersections" between the Brontës and various forms of art. Recommended for scholars and the wider reading public interested in Romantic and Victorian literature and the comparative arts.' Hungarian Journal of English and American Studies