British Prose Poetry

Jane Monson is a Mentor at the University of Cambridge, UK. She was previously Associate Lecturer in Creative Writing at Anglia Ruskin University, UK. She is the editor of This Line is not for Turning (2011), an anthology of contemporary British prose poetry. Her poetry collections include Speaking Without Tongues (2010) and The Shared Surface (2013).

• Introduction, Jane Monson.- The British Prose Poem and “Poetry” in Early Modernism, Margueritte S. Murphy.- Hidden Form: The Prose Poem in English Poetry, David Caddy.- The Flourishing of the Prose Poem in America and Britain, Robert Vas Dias.- The Marvellous Clouds: Reflections on the Prose Poetry of Woolf, Baudelaire and Williams, Michael O’Neill.- “I grow more & more poetic”: Virginia Woolf and prose poetry, Jane Goldman.- Joyce and the Prose Poem, Michel Delville.- T.S. Eliot’s prose (poetry), Vidyan Ravinthiran.- “I went disguised in it”: re-evaluating the prose poetry, and prose poetic legacy, of Seamus Heaney, Andy Brown.- Mark Ford’s Prose Poetry as Epistle, Anthony Caleshu.- Questioning the Prose Poem: Thoughts on Geoffrey Hill’s Mercian Hymns, Alan Wall.- “Between Two Rooms”: Vahni Capildeo’s Prose Poetry, Jeremy Noel-Tod.- “I cam in crepusculo to the Hay”: Subjectivity, Language and Place in Three Contemporary Prose Poems, Jeff Hilson.- The Successful Prose Poem Leaves Behind its Name, Owen Bullock.- Man and Nature In and Out of Order: the surrealist prose poetry of David Gascoyne, Luke Kennard.- Nonsense and Wonder: An Exploration of the Prose Poems of Jeremy Over, Ian Seed.- Prose Poetry and the Spirit of Jazz, Nikki Santilli.- Roy Fisher’s Five Musicians, Peter Robinson.- The Pedagogy of the Prose Poem, Patricia Debney.- Life, Death and the Prose Poem:  The Author’s Narrative, Michael Rosen.