Body Work

Melissa Febos is the bestselling author of four books, including Girlhood, winner of the National Book Critics Circle Award in Criticism. Her fifth book, The Dry Season, is forthcoming from Canongate Books in the UK. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, the Bogliasco Foundation and others. Febos is a professor at the University of Iowa and lives in Iowa City.

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One of Glamour Magazine's 'Top 30 books that everyone will be reading in 2022'One of Lit Hub's 'Most Anticipated Books of 2022'One of NPR's 'Books We Love 2022''Melissa Febos declaws shame in this stunning shrine to memoir and the art of confession. A book to thump whenever someone questions your audacity to gaze upon your own navel.'Jenny Valentish, author of Everything Harder Than Everyone Else and Woman of Substances‘Melissa Febos has written one of the most liberating books on the subject of writing that I can think of. A tender, urgent intelligence, a wisdom that is hard-won, and a rigor born from a love for the craft preside. [...] I learned so much reading Body Work that I can’t wait to teach and use on the page.’Alexander Chee, author of How to Write an Autobiographical Novel‘Ferociously smart and piercingly insightful, Body Work is an instant classic of the how-and-why-do-we-write form. With candor and clarity, Melissa Febos explores the complexities of writing courageously and honestly about our lives. It’s a book I’ll return to again and again.’Cheryl Strayed, author of Wild‘Body Work is the most necessary book about memoir I’ve read. Daring, honest, psychologically insightful, and absolutely whip smart. A must read for anybody shoving a pen across paper or staring into a screen or a past.’Mary Karr, author of The Liars' Club and The Art of Memoir'As far as I am concerned any new book by Melissa Febos is an event, such is her power to reconfigure the way you see things. Body Work is no different. In wrestling down the hows and whys of writing the self, the accountability it calls for and the veil-tearing it demands, Febos displays characteristic fearlessness. Best of all is the company of her voice, which manages to be at once tender and searching, urgent and insightful. Reading Body Work, you suspect Febos might just be able to see into your soul.' Marina Benjamin, author of Insomnia'Exhilarating. A book that fuses the art of writing with the politics of being, the body's witnessing. Essential reading for anyone who writes, anyone who reads, anyone who breathes.'Helen Mort, author of Black Car Burning'A deft, fearless assertion of the right and to tell our own stories. Melissa Febos shows us just how necessary this is.' Katherine May, author of Wintering' Febos dedicates this volume to her students, but it will be of interest to all readers, writers and potential writers of personal narrative, as well as anyone interested in the mysterious way the creative spirit moves through an artist brave enough to engage it, and embrace it in return.'Carmel McMahon, The Irish Times 'This is a wonder.'Publishers Weekly 'Sharp insights from a passionate practitioner and champion of memoir.'Kirkus Reviews'Unlike most craft books that are either lacking in practicality and process or personality, this book is the best balance of both. A must for non-fiction writers and essayists.'The Rumpus'Wide-ranging in its theoretical and historical breadth yet intimate in all ways, Febos's book offers the tools readers need to identify, access, process, and articulate hard-won stories of trauma and of love that their flesh holds.'Library Journal'In Body Work, Febos offers a compelling rebuttal of the accusation that a memoir is simply a diary in print.'Oprah Daily 'I read Body Work much as I read her third book, Girlhood: feverishly, drinking up the frankness and nuance with which Febos documents the subtle and secreted pains of living in an unequal world.'Electric Lit 'This book was a liberating and validating experience – one that I did not realise that I needed, and which will embolden my own writing.'Lucy Cathcart Frödén, The Sociological Review