This Handbook is a most timely contribution to aging studies. It distinguishes itself from others not only because it addresses a wide range of both literary (fiction, drama, and poetry) and film genres (movies, media, TV series, etc.) but also in its encompassing an equally large sample of cultural contexts and case studies, ranging from Europe to Hollywood to Latin America to Japan. Moreover, its intersectional focus allows us to see age as a fundamental yet relational category of analysis, which cannot and should not be separated from gender, sexuality, racialization, class, or functional diversity, amongst others. A must-read to anyone interested in aging, literature and film studies in their broadest sense. Highly recommended!