Bloomsbury Handbook of Popular Music and Youth Culture

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. A leading international figure in sociological studies of popular music and youth culture, he has written and edited numerous books including Popular Music and Youth Culture, Music, Style and Aging, and Music Scenes. He was Editor-in-Chief of the Journal of Sociology between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture.

• ContributorsIntroduction Andy Bennett, Griffith University, AustraliaPart 1: Theory1. The Past, Present and Future of Subculture Ross Haenfler, Grinnell College, USA2. ‘The Postsubculturalist’: Some Critical Reflections Over Twenty Years OnDavid Muggleton, University of Chichester, UK3. Music ScenesGeoff Stahl, Te Herenga Waka/Victoria University of Wellington, Aotearoa/New Zealand4. The Milieu Culture of Punk: Beyond the Scene – A Guide to Thinking and Researching CulturePete Webb, University of Western England, UKPart 2: Method5. Ethnography, Popular Music and Youth Culture: An Anthropologist’s AccountEvangelos Chrysagis, Independent Scholar6. Youth, Music and Social Network AnalysisNick Crossley, University of Manchester, UK7. Contributions for a Quantitative Approach to Contemporary Youth Cultures and Popular Music: A Case Study from South EuropePaula Guerra, University of Porto, Portugal8. ‘Images and Words’: Textual Analysis and Its Uses for Metal Music StudiesCatherine Hoad, Massey University, Aotearoa/New Zealand9. Should We Call It Cine-cultural Studies? Cineworlding Popular Music and Youth Studies Michael B. MacDonald, MacEwan University, Canada Part 3: History10. Counterculture and Youth Culture: Definitions, Drifts, Events, Music, Echoes Sarah Hill, St. Peter's College, University of Oxford, UK11. Glam Rock: Youth Culture, Performativity and SexualityJon Stratton, University of South Australia12. Time to DIY: A History of Punk and IndieMatthew Bannister, Wintec (Waikato Institute of Technology), Aotearoa/New Zealand13. The Dynamics of Dance: An Early History of Electronic Dance MusicAlex van Venrooij, University of Amsterdam, the Netherlands, and Rens Wilderom, University of Amsterdam, the Netherlands14. Under a Groove: Rap, Hip-Hop and Their GlocalizationStefano Barone, University of Central Lancashire, UKPart 4: Identity15. Structure and Historicity of Youth Music Tastes: A Brief Overview of Forty Years of Theoretical DebatesHervé Glevarec, CNRS, France, and Raphaël Nowak, University of York, UK16. ‘Hey Girl, Don’t Bother Me’: Gender, Sexuality and (In)visible Communities in Popular Music and Youth CultureSarah Raine, University of Limerick, Ireland, and Eveleigh Buck-Matthews, Birmingham City University, UK17. Beyond Youth: Music Scenes and AgeingPaul Hodkinson, University of Surrey, UK18. When We Were Young: Popular Music, Youth and MemoryBen Green, Independent Scholar, AustraliaPart 5: Media19. Youth Radio, Music Cities and the Role of Urban Sociability: Case Study of Radio KUT FM (Austin) and Triple R FM (Melbourne)Andrea Baker, Monash University, Australia20. Youth, Zines and Music ScenesAshleigh Watson, UNSW, Sydney, Australia21. Youth, Identity and Everyday Sound Environments in the Age of Digital TechnologiesRaphaël Nowak, University of York, UK22. Popular Music in a Brand CultureNick Carah, University of Queensland, Australia, and Kiah Hawker, University of Queensland, Australia23. Singing and Soundtracking Identity: Youth, Music and Film Scott Henderson, Trent University Durham GTA, CanadaPart 6: Place24. Youth, Music and the City: A Mapping of Leeds in Five Scenes Brett Lashua, University College London, UK, and Gabby Skeldon, Independent Scholar, UK25. Rural (Un)cool: Alternative Geographies of Young People and MusicLisa Nikulinsky, Independent Scholar, Australia26. Music Festivals and YouthChris Anderton, Solent University, Southampton, UK27. Music, Youth and Virtual Spaces Sian Lincoln, Independent Scholar28. Independent Music and Independent Music Scenes: From DIY-led Collectives to Individualized Professionals?Robin Kuchar, Institute of Sociology and Cultural Organization, Leuphana, GermanyPart 7: Music-making29. Youth and DIY Music and Media-makingRosa Reitsamer, mdw - University of Music and Performing Arts Vienna, Austria30. Cultivating Community on YouTube and Expanding Through Social Media Christopher Cayari, Purdue University, USA31. Home Recording, Production and Young Musicians Working in the Context of the ‘New’ Music Industry Richard Frenneaux, Independent Scholar32. Youth Culture, Technology and Tribute EntertainmentGeorgina Gregory, University of Central Lancashire, UKIndex

Given the growing academic interest in popular music and youth culture, this handbook is an essential 'way in' for both students and academics. Edited by an internationally renowned scholar, the handbook explores how research into the meanings, media, contexts and cultural experiences of young people shaped and are shaped by the world we all live in.