Best Jobs in the Music Industry

Straight Talk from Successful Music Pros

Häftad, Engelska, 2022

AvMichael Redman

569 kr

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Most people looking at the music industry as a career only think of artist, producer, and engineer, but there are a multitude of other exciting options that offer financial security and keep you close to the music you love. The Best Jobs in the Music Industry is an essential guide for those who want to explore different areas of the industry beyond these obvious routes.This second edition includes updates and even more exclusive interviews with top professionals, giving a look at how music jobs have changed and the long-term impacts of COVID-19 on the industry. Michael Redman takes readers on a tour of different music careers—from performer to label executive to recording engineer and music producer, plus more—and boils down the essentials of each job and what you will need to get your foot in the door including:job requirements skill set potential revenuelongevitybenefitschallengesOver sixty professionals in the business share their experiences, the good and bad, and how you might take your next steps in your career—including Lee Sklar (session and touring musician), Damon Tedesco (scoring mixer), Adam Parness (executive licensing at Spotify), Mike Ladman (music supervisor at Droga5 advertising), David Newman (composer), Michael Semanick (re-recording mixer), Conrad Pope (orchestrator), Todd Rundgren (music legend), Gary Calamar (music supervisor), Mark Bright (producer), and Steven Vincent (SVP of Music & Soundtracks for the Disney Channel).

Produktinformation

Utgivningsdatum2022-04-01
Mått180 x 256 x 20 mm
Vikt671 g
FormatHäftad
SpråkEngelska
SerieMusic Pro Guides
Antal sidor366
Upplaga2
FörlagBloomsbury Publishing Plc
ISBN9781538151273

Tillhör följande kategorier

Musikböcker inom Kultur
Media och underhållning inom Ekonomi och ledarskap
Karriärplanering inom Ekonomi och ledarskap

Preface AcknowledgmentsIntroductionChapter 1: Audio Engineer Michael Semanick—Re-Recording Engineer (Film)Craig Mann—Re-Recording Engineer (Film) Jimmy Douglass—Recording Engineer (Music) Dave Gross—Audio Engineer / ComposerRandy Mease—Recording Engineer (Audio Post-Production) Damon Tedesco—Scoring MixerEric Gast—Mixing Engineer (Music)Leslie Ann Jones—Recording Engineer (Music), Todd Rundgren—Recording Engineer (Music) Gary Chester—Recording Engineer (Advertising and Film Scores)Chapter 2: Booking Agent Lloyd Hanson—Peyton EntertainmentJ. J. Casseiere—The Agency Group Justin Bridgewater—The Agency GroupChapter 3: Composer Greg Sims—FilmChuck Carr—GamingDavid Newman—Film Andrew Sherman—AdvertisingTheodore Shapiro—FilmTed Masur—FilmRyan Lott—Advertising and FilmSteve Porcaro—TVLloyd Landesman—AdvertisingChapter 4: Digital DistributionAdam Parness—Rhapsody, Amazon Music, Spotify Brian Felsen—FormerPresident, CD Baby Chapter 5: Entrepreneur Dan Zaccagnino—CEO and Founder, Indaba MusicMichael Redman—Entrepreneur and Author Tristan Jehan—Founder, The Echo NestChapter 6: Lawyer and Business AffairsLance Grode—USC Law SchoolPhilip Cohen—Universal Studios Film, Television, and ProductionSteve Winogradsky—Independent Lawyer Chapter 7: Live Sound Larry Epstein—President, Paradise Show and Design Michael Redman—Live Sound MixerChapter 8: Mastering Engineer Ron Boustead—Revolution Mastering John Blanche—Criteria Recording Chapter 9: Music Editor Craig PettigrewEmily Rogers SwansonDaniel Carlin Chapter 10: Music EducatorChuck Archard—Professor at Rollins CollegeKeith Lay—Chair of Music technology at Full Sail UniversityForest Rodgers—Musician, Instructor Daniel Carlin—USC Thornton School of Music, ProfessorChapter 11 Music ExecutiveSteven VincentChapter 12: Production Music Libraries Adam Taylor—President, Associated Production Music (APM)Michael Redman—President, MyMusicSourceChapter 13: Music Supervisor Kevin Edelman—Metalman Mike Ladman—Droga5 Gary Calamar—Go Music SupervisionRaphaella Lima—EA Games Paul Greco—Wunderman ThompsonMelany Mitchell—Independent Michael Freeman—Ogilvy & MatherRudy Chung— Co-Founder, Pusher Chapter 14: OrchestratorConrad PopePenka Kouneva Chapter 15: Part-Time Musician Jeff Matz—Lure Design Chapter 16: Music Producer Russ Titelman Phoenix Red Veit RennMark Bright Scott Mathews Chapter 17: Music Publishing David Simoné—Partner, Primary Wave Music PublishingEric Bettelli—Music ConnectionMark Bright—Chatterbox Music Jenna Rubenstien—JellybeanChapter 18: Record Label Tomas Cookman—Nacional Records Thaddeus Rudd—Mom & Pop RecordsChapter 19: Road Manager Mark Litten—Def Leppard and Metallica Mary Lou Arnold—Todd RundgrenSean Murray—Allison Krauss Chapter 20: Session MusicianTim Akers—KeyboardistArnold McCuller— Session SingerLee Sklar—BassistPaul Ill—Bassist, Songwriter Chapter 21: Songwriter Harold Payne Kevin Quinn Chapter 22: Software / Plugin DeveloperBjorn Roche—Independent Software Designer Yoad Nevo—WavesEd Gray—VP, Avid Technology, Inc., Pro ToolsChapter 23: Studio OwnerAndrew Sherman—Butter StudioMichael Redman—RedHouseChapter 24: Touring Musician Tim Akers—KeyboardistEric Levy—KeyboardistBilly Ashbaugh—DrummerArnold McCuller—VocalistLee Sklar—BassistNext Steps

In this 2nd edition of a book first published in 2012, Redman reveals and describes the broad scope of jobs now available in the music industry, from audio engineer to touring musician…. The author focuses on jobs that he considers to be viable in today’s changing economy, jobs such as booking agent, digital distributor, music editor, music educator, music librarian, orchestrator, software developer, road manager, et al. Each job description includes information on skill sets, hours, upsides, downsides, salaries, locations, and future prospects. Most enlightening are the interviews, which open up other paths to success and the challenges individuals faced. A useful reference resource. Recommended. Lower- and upper-division undergraduates; students in two year programs; professionals; general readers.