The Basilica of Santa Maria Maggiore is the only patriarchal basilica of the four in Rome to have retained its paleo-Christian structures. The Basilica dates back to 425 AD and in this elegant and triumphal photographic masterpiece accomplished at the height of today’s technology, we can admire in detail the grandeur of all its artistic details: the mosaics of the nave; the ceremonial arch dating to the pontificate of Pope Sixtus III (432-440 AD); those of the apse made at the behest of Pope Nicholas V (1288-1292); the Cosmatesque floor; the coffered ceiling designed by Giuliano da San Gallo; the Nativity scene by Arnolfo di Cambio; the High Altar by Ferdinando Fuga; the Borghese, Cesi, Sforza, and Sistine Chapels; and the Crucifix and St. Michael chapels by Luigi Valadier.The Basilica is Pope Francis' final resting place.Tradition has it that the Virgin Mary herself inspired the choice of the Esquiline Hill for the church’s construction. Appearing in a dream to both the Patrician John, the landowner of the Esquiline Hill, and Pope Liberius, she asked that a church be built in her honour on a site she would miraculously indicate.Text in English and Italian.
Curated by Andreas Raub, Director of the Liberian Museum Complex of Santa Maria Maggiore from 2022.
Editorial Note Federico FerrariForeword Card. Rolandas MakrickasIntroduction Andreas RaubTHE BASILICA“Virgin Mary, to You I, Sixtus”. The Basilica of Sixtus III (432-440) Sible De BlaauwLocus mirabilis. Nicholas IV (1288-1292) at Santa Maria Maggiore Andreas RaubThe Nativity Scene by Arnolfo di Cambio Sante GuidoSnow, Marble, Gold. The Transformation of the Basilica in the Fifteenth Century Arnold NesselrathThe Sforza and Cesi Chapels Vitale ZanchettinThe Chapel of Sixtus V (1585-1590). From Family Mausoleum to Monumental Reliquary Patrizia TosiniThe Chapel of Paulus V (1605-1621). Throne Room of the Virgin and Gateway to Heaven Fabio BarryBenedict XIV (1740-1758). “A most felicitous outcome” Elisabeth KievenThe Basilica from the Nineteenth to Twenty-First Centuries Sante GuidoTHE POLO MUSEALE LIBERIANOIntroduction Andreas RaubThe Archaeological Area Olof BrandtThe Façade Mosaics Andreas RaubThe Chapter House Andreas RaubThe Museum Andreas RaubBibliography