Diane Atnally Conlin received her Ph.D. in classical art and archaeology from the University of Michigan. A fellow of the American Academy in Rome, she has taught Roman art and archaeology at the University of Michigan.

An important and intelligent contribution to our knowledge about the Ara Pacis and the practice of Roman sculptors in general. . . . [Conlin] has taken a much needed closer look at an artistic hallmark of the Augustan age and initiated us into one of its basic characteristics.--Classical Journal|""Conlin repeatedly demonstrates how a fresh approach can tease new meanings from even an exhaustively studied monument. . . . An advocate of 'close looking,' Conlin will inspire students to mine the surviving visual evidence for a deeper understanding of antiquity.""--Classical World|""This lavishly illustrated study represents an important contribution to our understanding of the production of Roman sculpture.""American Journal of Archaeology|""[This book] will inspire others to take a second look at other Hellenizing sculptures, and actually demonstrates what has only before been assumed.""--Bryn Mawr Classical Review|""The quality of Conlin's observations is outstanding, and much will be of great assistance to students of stone-carving in Augustan Rome.""--Times Literary Supplement

Diane Atnally Conlin received her Ph.D. in classical art and archaeology from the University of Michigan. A fellow of the American Academy in Rome, she has taught Roman art and archaeology at the University of Michigan.

An important and intelligent contribution to our knowledge about the Ara Pacis and the practice of Roman sculptors in general. . . . [Conlin] has taken a much needed closer look at an artistic hallmark of the Augustan age and initiated us into one of its basic characteristics.--Classical Journal|""Conlin repeatedly demonstrates how a fresh approach can tease new meanings from even an exhaustively studied monument. . . . An advocate of 'close looking,' Conlin will inspire students to mine the surviving visual evidence for a deeper understanding of antiquity.""--Classical World|""This lavishly illustrated study represents an important contribution to our understanding of the production of Roman sculpture.""American Journal of Archaeology|""[This book] will inspire others to take a second look at other Hellenizing sculptures, and actually demonstrates what has only before been assumed.""--Bryn Mawr Classical Review|""The quality of Conlin's observations is outstanding, and much will be of great assistance to students of stone-carving in Augustan Rome.""--Times Literary Supplement

Diane Atnally Conlin received her Ph.D. in classical art and archaeology from the University of Michigan. A fellow of the American Academy in Rome, she has taught Roman art and archaeology at the University of Michigan.

An important and intelligent contribution to our knowledge about the Ara Pacis and the practice of Roman sculptors in general. . . . [Conlin] has taken a much needed closer look at an artistic hallmark of the Augustan age and initiated us into one of its basic characteristics.--Classical Journal|""Conlin repeatedly demonstrates how a fresh approach can tease new meanings from even an exhaustively studied monument. . . . An advocate of 'close looking,' Conlin will inspire students to mine the surviving visual evidence for a deeper understanding of antiquity.""--Classical World|""This lavishly illustrated study represents an important contribution to our understanding of the production of Roman sculpture.""American Journal of Archaeology|""[This book] will inspire others to take a second look at other Hellenizing sculptures, and actually demonstrates what has only before been assumed.""--Bryn Mawr Classical Review|""The quality of Conlin's observations is outstanding, and much will be of great assistance to students of stone-carving in Augustan Rome.""--Times Literary Supplement