An important and intelligent contribution to our knowledge about the Ara Pacis and the practice of Roman sculptors in general. . . . [Conlin] has taken a much needed closer look at an artistic hallmark of the Augustan age and initiated us into one of its basic characteristics.--Classical Journal|""Conlin repeatedly demonstrates how a fresh approach can tease new meanings from even an exhaustively studied monument. . . . An advocate of 'close looking,' Conlin will inspire students to mine the surviving visual evidence for a deeper understanding of antiquity.""--Classical World|""This lavishly illustrated study represents an important contribution to our understanding of the production of Roman sculpture.""American Journal of Archaeology|""[This book] will inspire others to take a second look at other Hellenizing sculptures, and actually demonstrates what has only before been assumed.""--Bryn Mawr Classical Review|""The quality of Conlin's observations is outstanding, and much will be of great assistance to students of stone-carving in Augustan Rome.""--Times Literary Supplement