Art, Commerce and Colonialism 1600–1800

Emma Barker is Senior Lecturer in Art History at The Open University

• Introduction – Emma Barker1 From Iberia to the Americas: Hispanic art of the colonial era – Piers Baker-Bates2 The Golden Age revisited: Dutch art in global perspective – Emma Barker3 Creative interactions: Chinoiserie in eighteenth-century Britain – Clare Taylor4 Transatlantic architecture: classicism, colonialism and race – Elizabeth McKellarConclusion – Emma BarkerIndex

'Art, Commerce and Colonialism is a marvellous and much-needed volume. It brilliantly represents the cutting edge of scholarship on the politics and the commerce of art in the early modern era, while making central issues and a fascinating array of objects readily accessible. This book is poised to shape the next generation of teaching early modern global art history, and offers a valuable road map for further study.' Claudia Swan, Associate Professor of Art History, Northwestern University‘Art, Commerce and Colonialism masterfully shows how the interaction between Western Europe and the rest of world came to reshape the continent’s art and visual culture in the seventeenth and eighteenth centuries. In this book trade, power and art are part of one global process.’Giorgio Riello, Professor of Global History and Culture, University of Warwick'The biggest strength of Art, Commerce and Colonialism is that each author provides brief narratives of how scholarly approaches to their topic have changed over time. These forays into historiography, written in ways that are understandable to undergraduate students new to the study of art history, are indispensable.'Renaissance Quarterly