Applied Theatre: A Pedagogy of Utopia

Häftad, Engelska, 2022

Av Selina Busby, UK) Busby, Selina (The Royal Central School of Speech and Drama, University of London

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Shortlisted for the 2022 TaPRA David Bradby Monograph PrizeApplied Theatre: A Pedagogy of Utopia offers a critical consideration of long-term applied and participatory theatre projects. In doing so, it provides a timely analysis of concepts that inform applied theatre and outlines a new way of thinking about making theatre with differing groups of participants.The book problematizes key concepts including safe spaces, voice, ethical practice and resistance. Selina Busby analyses applied theatre projects in India, the USA and the UK, in youth theatres, homeless shelters, prisons and with those living in informal housing settlements to consider her key question: what might a pedagogy of utopia look like? Drawing on 20 years of practice in a range of contexts, this book focuses on long-term interventions that raise troubling questions about applied theatre, cultural colonialism and power, while arguing that community or participatory theatre conversely has the potential to generate a resilient sense of optimism, or what Busby terms, a ‘nebulous utopia’.

Produktinformation

Utgivningsdatum2022-10-06
Mått138 x 214 x 16 mm
Vikt340 g
FormatHäftad
SpråkEngelska
Antal sidor272
FörlagBloomsbury Publishing PLC
ISBN9781350232815
UtmärkelserShort-listed for The TaPRA David Bradby Monograph Prize 2022 (UK)

Tillhör följande kategorier

Kultur och medier inom Samhalle och politik
Teater inom Kultur
Sociala och etiska frågor inom Samhalle och politik

I have recommended Selina Busby’s Applied Theatre: A Pedagogy of Utopia to both colleagues and students and have found inspiration in its pages myself. In her words, the book focuses on 'the positive contribution that making theatre can have when thinking about and acting for social justice, in opening up possibilities or "the field of the possible," in enhancing aspirational thinking and resisting what is, in order to create what is not yet, but which can be imagined' (pp. 204-205). The power of hope is the most potent force when facing inequity and injustice; theatre can give voice and agency and creative expression to those who may lack these in their lives. Busby’s global survey of her practice is required reading for anyone who wants to be inspired, or re-inspired, with the reality that theatre can and does make tangible differences in peoples’ lives.