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Innovative study of animal art histories in modern art.Animal Modernities challenges the traditional human-centered focus of art history and explores how modern art, visual culture, and modernity itself emerge from relationships between humans and animals. The essays in this volume reveal histories of exploitation and domination, as well as confusion and ambivalence, and occasional moments when affinities between humans and animals have been embraced, and animal agency asserted and acknowledged. The authors collectively point to the importance of thinking about animal–human relations for addressing today’s ecological challenges.This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/
Daniel Harkett is associate professor in the Department of Art at Colby College. Daniel Harkett is associate professor in the Department of Art at Colby College. Katie Hornstein is professor in the Department of Art History at Dartmouth College. Katie Hornstein is professor in the Department of Art History at Dartmouth College.
List of Illustrations AcknowledgmentsIntroduction Daniel Harkett and Katie HornsteinRethinking the Animal in Art History: Charles Darwin, Karl Woermann, and the BowerbirdNina AmstutzPhotography Needs Animals: Materials, Processes, and the Colonial Supply Chains of Gelatine Dry PlatesRosalind HayesShooting Elephants and the Performance of Imperial PowerNiharika DinkarA Tale of Two Serpents Laur a NüfferMourning across Species: Ivory Miniatures and Elephant DeathKatherine FeinWar Horses, Commemoration, and Mutilation: Copenhagen (1808–1836) and Marengo (ca. 1793–1831) Katie HornsteinTo Fool a Fish: Exploring Interspecies Aesthetics in Nineteenth-Century Fly-FishingEmily GephartFeline Creativity on the Eve of Modernity Amy Freund and Michael YonanThe Bird that Cuts the Airy Way: William Blake’s Avian ModernityAlysia GarrisonBovine Ubiquity Maura CoughlinAgainst the Visual: Seals, Indigenous-Settler Relations, and the Material Culture of Sealing since 1697Catherine GirardMr. Crowley’s Signature: Race, Resistance, and the Queerness of American Animal PortraitureAnnie RonanMemory and Materiality: Commemorating Canine Companions in Eighteenth-Century Britain Sean WeissHerd Mentality: Animal Relationality and QueerKinships in the Life and Work of Anton Braith Stephanie TriplettSelected Bibliography Contributors Index
“The volume is a valuable addition to the growing literature on artistic representations of human-animal relations, enriching scholarly discussions on both historical and contemporary interactions with animals and nature.” - Roni Grén, University of Turku