. . . provides a thorough examination of prisoner statues as part of these complexes, and as cultural manifestations of late Old Kingdom social and political concerns and developments. It methodically considers their forms and styles, and meticulously investigates their placements and ritualized contexts, offering detailed analyses on their purpose, use, and representation of identity. Together with its Catalogue, the richly illustrated book is an essential resource for anyone interested in prisoner statues, pyramid complexes, and foreigners of the Old Kingdom. Overall, it offers a valuable contribution that will surely expand understandings on the fascinating complexities of Old Kingdom society, and the ever-changing treatment of foreigners.Mourad, Anna-Latifa, JARCE 60 (2024)