Amateur Craft

History and Theory

Häftad, Engelska, 2015

589 kr

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Amateur Craft provides an illuminating and historically-grounded account of amateur craft in the modern era, from 19th century Sunday painters and amateur carpenters to present day railway modellers and yarnbombers. Stephen Knott’s fascinating study explores the curious and unexpected attributes of things made outside standardised models of mass production, arguing that amateur craft practice is ‘differential’ – a temporary moment of control over work that both departs from and informs our productive engagement with the world.Knott’s discussion of the theoretical aspects of amateur craft practice is substantiated by historical case studies that cluster around the period 1850–1950. Looking back to the emergence of the modern amateur, he makes reference to contemporary art and design practice that harnesses or exploits amateur conditions of making. From Andy Warhol to Simon Starling, such artistic interest elucidates the mercurial qualities of amateur craft.Invaluable for students and researchers in art and design, contemporary craft, material culture and social history, Amateur Craft counters both the marginalisation and the glorification of amateur craft practice. It is richly illustrated with 41 images, 14 in colour, including 19th century ephemera and works of contemporary art.

Produktinformation

Utgivningsdatum2015-08-27
Mått184 x 244 x 12 mm
Vikt360 g
FormatHäftad
SpråkEngelska
Antal sidor184
FörlagBloomsbury Publishing PLC
ISBN9781472577344

Tillhör följande kategorier

Konsthistoria inom Kultur
Kulturvetenskap inom Samhälle och politik

Stephen Knott is Director of the Crafts Study Centre in Farnham, a museum and research centre that is part of the University of the Creative Arts, UK. As a writer, researcher and lecturer in craft theory, design history and material culture, he has taught at Kingston University, UK and the Royal College of Art, UK and is one of the editors of The Journal of Modern Craft. He is author of Amateur Craft: History and Theory (Bloomsbury, 2015), and has written articles and reviews for Design and Culture, Performance Research, West 86th, Crafts and Craft Research. In 2018 he curated Tendenser at Galleri F15 in Moss, Norway, a showcase of contemporary craft and edited the accompanying catalogue, and was co-curator for Presence and Absence at the Crafts Study Centre (2021-22), an exhibition which responds to the lack of diversity within the Centre’s collections.

Amateur Craft is one of several craft-related titles published by Bloomsbury. Knott (independent scholar) strives to show how amateur and professional crafters can thrive in the same space and how their work can feed off the thoughts and processes of each other. Specifically, Amateur Craft is written to demonstrate that amateur need not indicate ‘inadequacy or shoddy work.’ The book is organized into three well-illustrated chapters. Chapter 1, "Surface," discusses the agents needed for amateur surface intervention—‘bases, carriers, and arbiters.’ Bases are the objects that provide the blank surface. Carriers are the goods that make intervention—or the craft making—possible. Finally, arbiters, e.g., handbooks and encyclopedias, provide guidance. Chapter 2, "Space," focuses on the role of space in everyday life, the organization of space, and aesthetics. The design and organization of space is essential for crafting of any type. Chapter 3, "Time," looks at amateur time, or free time, and its uses and benefits. Some amateur craft is derived from workplace time; at other times, it comes about because of nostalgia, desire, and sociability. Extensive endnotes and a detailed index support the text. Overall, this is a worthy resource for historians, artists, or amateur hobbyists interested in studying the development and breadth of amateur crafting. Summing Up: Recommended. Upper-division undergraduates and above; general readers.