The Aesthetics of Necropolitics offers penetrating essays on contemporary artistic and theoretical attempts to grapple with our shiny techtoys and medicalized bodies, and the abattoirs, literal and metaphorical, of their bio-informatic production. Natasha Lushetich's Prologue locates Mbembe's term in its theoretical matrix and sets up the way in which the essays probe and twist that which "necropolitics" reveals of our world: its gendering, racializing, and sexualizing practices; the politicizing and de-politicizing of "citizens" and "refugees"; and intersecting all of them, the management of life and the dealing of death. The essays themselves produce a mixed feeling of pride and shame: pride at the courage and inventiveness of the authors, and shame at living in a world whose practices they so carefully investigate. One can only hope that such shame can provoke resistance to what so many have to see and suffer today.