Aesthetics of Absence

Texts on Theatre

Inbunden, Engelska, 2015

AvHeiner Goebbels,Jane Collins,Nicole Gronemeyer

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Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised’ in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels’ engagement with ‘Aesthetics of Absence’ through his own experience at the forefront of innovative music-theatre and performance making.In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions.As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship.

Produktinformation

Utgivningsdatum2015-04-10
Mått174 x 246 x 15 mm
Vikt453 g
FormatInbunden
SpråkEngelska
Antal sidor154
FörlagTaylor & Francis Ltd
ISBN9780415831031
ÖversättareDavid Roesner

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Teater inom Kultur

ContentsList of IllustrationsWhen a Tree is Already Being Mentioned, You Don’t Also Have to Show ItA PrefaceAesthetics of AbsenceHow it all beganPART I: Texts on Work(s)Description of a Picture, Table-Parties and Comparative DegreesAbout the opera Landscape with Distant Relatives‘Some Things You Only Remember, Because They Don’t Have Anything To Do With Anything’Questions on constructing EraritjaritjakaReal Time In Oberplan A Theatre of DecelerationPeculiar VoicesOn working on I Went to the House But Did Not EnterThe Space as InvitationThe spectator as the object of artPART II: Texts on Artists‘But I wanted this to be a narrative’Jean-Luc Godard as a composerWhat We Don’t See, Attracts UsFour theses on Call Cutta by Rimini ProtokollThe Mystery Of SignsFor Robert WilsonTrust No Eye For Erich Wonder‘To Comprehensively Build Up A Society With Modest Prosperity’The Ensemble Modern as an examplePART III: Texts on EducationResearch or Craftsmanship?Nine theses on the future of an education for the performing artsIf I Want An Actor To Cry, I Give Him An OnionOn working with actorsA Giant Wooden PistolTheory and Practice in GießenOrganising Hearing and Seeing The Practical Study of TheatreCompromise Is a Bad DirectorTheatre as museum or laboratoryAppendixBiography

"This book will have a wide appeal for scenographers, designers, theatre makers, students and academics who are interested in the interplay of theatre objects directly from the perspective of an exemplary practitioner of the form. [...] a welcome and stimulating perspective." - Theatre, Dance and Performance Training"A significant contribution to shifting the margins and the centre of the discourse on practice."- Ed McKeown, Critical Perspectives on Contemporary Art and Culture

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