Visible Evidence

Collecting Visible Evidence

Kill the Documentary

A Letter to Filmmakers, Students, and Scholars

Kill the Documentary

A Letter to Filmmakers, Students, and Scholars

Revolutionary Becomings

Documentary Media in Twentieth-Century China

Revolutionary Becomings

Documentary Media in Twentieth-Century China

Staging Nuremberg

How the United States and the Soviet Union Fought Over the Portrayal of Nazi Crimes

Staging Nuremberg

How the United States and the Soviet Union Fought Over the Portrayal of Nazi Crimes

The Documentary Audit

Listening and the Limits of Accountability

The Documentary Audit

Listening and the Limits of Accountability

Between the Sheets, in the Streets

Queer, Lesbian, Gay Documentary

States of Emergency

Documentaries, Wars, Democracies

Technologies of Truth

Cultural Citizenship and the Popular Media

Feminism and Documentary

Wiping the War Paint Off the Lens

Native American Film and Video

Home Movies and Other Necessary Fictions

Emile De Antonio

A Reader

Women of Vision

Histories in Feminist Film and Video

Subject of Documentary

American Family

A Televised Life

There's No Place Like Home Video

Circuits of Culture

Media, Politics, and Indigenous Identity in the Andes

Cine-Ethnography

First Person Jewish

Recording Reality, Desiring the Real

Right to Play Oneself

Looking Back on Documentary Film

Cinema's Alchemist

The Films of Péter Forgács

Documentary Time

Film and Phenomenology

Creating the Witness

Documenting Genocide on Film, Video, and the Internet

Ferocious Reality

Documentary According to Werner Herzog