Transatlantic Studies in British and North American Culture

Glorious Outlaws: Debt as a Tool in Contemporary Postcolonial Fiction

«We Search the Past … for Our Own Lost Selves.»

Representations of Historical Experience in Recent American Fiction

Byron and the Baroque

Crime Scenes

Modern Crime Fiction in an International Context

Afro-Caribbean Poetry in English

Cultural Traditions (1970s–2000s)

Eating America: Crisis, Sustenance, Sustainability

Living Mirror

The Representation of Doubling Identities in the British and Polish Women’s Literature (1846–1938)

Breaking the Silence

Poetry and the Kenotic Word

Image in Modern(ist) Verse

Charles Darwin’s Looking Glass

The Theory of Evolution and the Life of its Author in Contemporary British Fiction and Non-Fiction

Constructing Identity

Continuity, Otherness and Revolt in the Poetry of Tony Harrison

Dress as Metaphor – British Female Fashion and Social Change in the 20th Century

George Herbert and Post-phenomenology

A Gift for Our Times

Ordinary and the Short Story

Short Fiction of T.F. Powys and V.S. Pritchett

Crime Fiction

A Critical Casebook

Painter’s Word

Thomas Hart Benton, Marsden Hartley and Ad Reinhardt as Writers

Apology for Catholicism in Selected Writings by G. K. Chesterton

Popular Genres and Their Uses in Fiction

Ways of Pleasure

Angela Carter's 'Discourse of Delight' in her Fiction and Non-Fiction

Regeneration, Citizenship, and Justice in the American City since the 1970s

Parody, Scriblerian Wit and the Rise of the Novel

Parodic Textuality from Pope to Sterne

In Wonder, Love and Praise

Approaches to Poetry, Theology and Philosophy

Women in Edward Bond

Redefining the Fringes in Celtic Studies

Essays in Literature and Culture

Archaization in Literary Translation as Nostalgic Pastiche

Time and Vision Machines in Thomas Pynchon’s Novels

Byron: Reality, Fiction and Madness

Literary Art of Ali Smith

All We Are is Eyes

On Beauty and Being: Hans-Georg Gadamer’s and Virginia Woolf’s Hermeneutics of the Beautiful