Theatre: Theory – Practice – Performance

‘Love me or kill me’

Sarah Kane and the theatre of extremes

Negotiating cultures

Eugenio Barba and the intercultural debate

Paris Jigsaw

Internationalism and the City's Stages

Theatre in crisis?

Performance manifestoes for a new century

Trans-global readings

Crossing theatrical boundaries

Making contemporary theatre

International rehearsal processes

Politics of Jean Genet's Late Theatre

Spaces of Revolution

Performing Presence

Between the Live and the Simulated

Robert Lepage's Original Stage Productions

Making Theatre Global

World Stages, Local Audiences

Essays on Performance, Place and Politics

Performance in a time of terror

Critical mimesis and the age of uncertainty

Not Magic but Work

An Ethnographic Account of a Rehearsal Process

politics of Jean Genet's late theatre

Spaces of revolution

Unlimited Action

The Performance of Extremity in the 1970s

Directing Scenes and Senses

The Thinking of Regie

Science in Performance

Theatre and the Politics of Engagement

Not magic but work

An ethnographic account of a rehearsal process

Queer Exceptions

Solo Performance in Neoliberal Times

Queer Exceptions

Solo Performance in Neoliberal Times

Directing scenes and senses

The thinking of Regie

Performing Presence

Between the live and the simulated

Death in Modern Theatre

Stages of Mortality

Witness Onstage

Documentary Theatre in Twenty-First-Century Russia

Foucault’S Theatres

Unlimited action

The performance of extremity in the 1970s

Foucault’s theatres

After '89

Polish Theatre and the Political

Beautiful Doom

The Work of Dennis Kelly on Stage and Screen

Performing the Testimonial

Rethinking Verbatim Dramaturgies