SUNY series in Psychoanalysis and Culture

Reading Seminar XI

Lacan's Four Fundamental Concepts of Psychoanalysis: The Paris Seminars in English

Five Lessons on the Psychoanalytic Theory of Jacques Lacan

Return of the Repressed

Gothic Horror from The Castle of Otranto to Alien

Wounded Body

Remembering the Markings of Flesh

other Side of Desire

Lacan's Theory of the Registers

Literary Trauma

Sadism, Memory, and Sexual Violence in American Women's Fiction

Joy and the Objects of Psychoanalysis

Literature, Belief, and Neurosis

Reading Seminar XX

Lacan's Major Work on Love, Knowledge, and Feminine Sexuality

After Lacan

Clinical Practice and the Subject of the Unconscious

Remaking the Frankenstein Myth on Film

Between Laughter and Horror

End of Dissatisfaction?

Jacques Lacan and the Emerging Society of Enjoyment

Risking Difference

Identification, Race, and Community in Contemporary Fiction and Feminism

Risking Difference

Identification, Race, and Community in Contemporary Fiction and Feminism

Beyond Lacan

Later Lacan

An Introduction

Real Gaze

Film Theory after Lacan

Desire of the Analysts

Psychoanalysis and Cultural Criticism

World of Fragile Things

Psychoanalysis and the Art of Living

World of Fragile Things

Psychoanalysis and the Art of Living

Hitchcock's Bi-Textuality

Lacan, Feminisms, and Queer Theory

Hemingway's Fetishism

Psychoanalysis and the Mirror of Manhood

D.H. Lawrence and the Paradoxes of Psychic Life

French Fairy Tales

A Jungian Approach

Signifying Pain

Constructing and Healing the Self through Writing

Book of Love and Pain

Thinking at the Limit with Freud and Lacan

Logic of Sexuation

From Aristotle to Lacan

Acting Beautifully

Henry James and the Ethical Aesthetic

Sex, Paranoia, and Modern Masculinity

Unspeakable Secrets and the Psychoanalysis of Culture