SUNY series, Horizons of Cinema

Apocalyptic Dread

American Film at the Turn of the Millennium

Ecology and Popular Film

Cinema on the Edge

Three Documentary Filmmakers

Errol Morris, Ross McElwee, Jean Rouch

Second Takes

Critical Approaches to the Film Sequel

Fantastic Voyages of the Cinematic Imagination

Georges Méliès's Trip to the Moon

Hitchcock

The Murderous Gaze

Native Recognition

Indigenous Cinema and the Western

Native Recognition

Indigenous Cinema and the Western

Lonely Places, Dangerous Ground

Nicholas Ray in American Cinema

B Is for Bad Cinema

Aesthetics, Politics, and Cultural Value

Very Old Machine

The Many Origins of the Cinema in India

Binghamton Babylon

Voices from the Cinema Department, 1967-1977

Ghost Faces

Hollywood and Post-Millennial Masculinity

Looking with Robert Gardner

Encounters with Godard

Ethics, Aesthetics, Politics

Invented Lives, Imagined Communities

The Biopic and American National Identity

Regarding Life

Animals and the Documentary Moving Image

John Huston as Adaptor

Hitchcock's Moral Gaze

Gestures of Love

Romancing Performance in Classical Hollywood Cinema

Ripping England!

Postwar British Satire from Ealing to the Goons

Rx Hollywood

Cinema and Therapy in the 1960s

Immanent Frames

Postsecular Cinema between Malick and von Trier

Rule, Britannia!

The Biopic and British National Identity

Rule, Britannia!

The Biopic and British National Identity

Welcome to Fear City

Crime Film, Crisis, and the Urban Imagination

Welcome to Fear City

Crime Film, Crisis, and the Urban Imagination

Rumble and Crash

Crises of Capitalism in Contemporary Film

From El Dorado to Lost Horizons

Traditionalist Films in the Hollywood Renaissance, 1967-1972