Palgrave Studies in Audio-Visual Culture

Anthony Burgess, Stanley Kubrick and A Clockwork Orange

Sounds of Silent Films

New Perspectives on History, Theory and Practice

Today's Sounds for Yesterday's Films

Making Music for Silent Cinema

Musicality of Narrative Film

Visual Music Film

Sounds of Silent Films

New Perspectives on History, Theory and Practice

Musicality of Narrative Film

Visual Music Film

Today's Sounds for Yesterday's Films

Making Music for Silent Cinema

Intersecting Film, Music, and Queerness

Feeling Film

A Spatial Approach

Identifying and Interpreting Incongruent Film Music

Popular Music in the Nostalgia Video Game

The Way It Never Sounded

Sound, Media, Ecology

Sound, Media, Ecology

Development of Popular Music Function in Film

From the Birth of Rock ‘n’ Roll to the Death of Disco

Development of Popular Music Function in Film

From the Birth of Rock ‘n’ Roll to the Death of Disco

British Film Music

Musical Traditions in British Cinema, 1930s–1950s

British Film Music

Musical Traditions in British Cinema, 1930s–1950s

When Music Takes Over in Film

Anthony Burgess, Stanley Kubrick and A Clockwork Orange

McGurk Universe

The Physiological and the Psychological in Audiovisual Culture

McGurk Universe

The Physiological and the Psychological in Audiovisual Culture

Music in Films about the Shoah

Commemoration, Comfort, Provocation

Music in Films about the Shoah

Commemoration, Comfort, Provocation

Hearing Eyes, Seeing Ears

Collected Writings on Music in Audiovisual Culture

Film/Music Analysis

A Film Studies Approach

Cross-cultural Re-use of Western Pop Songs in Asian Cinema

Songs Go East