Harvard-Yenching Institute Monograph Series

Articulated Ladies

Gender and the Male Community in Early Chinese Texts

Poetry and Painting in Song China

The Subtle Art of Dissent

Printing for Profit

The Commercial Publishers of Jianyang, Fujian (11th–17th Centuries)

Allegories of Desire

Esoteric Literary Commentaries of Medieval Japan

Rulin waishi and Cultural Transformation in Late Imperial China

Writing and Materiality in China

Essays in Honor of Patrick Hanan

Korean Singer of Tales

To Become a God

Cosmology, Sacrifice, and Self-Divinization in Early China

Words Well Put

Visions of Poetic Competence in the Chinese Tradition

Householders

The Reizei Family in Japanese History

Divine Nature of Power

Chinese Ritual Architecture at the Sacred Site of Jinci

Beacon Fire and Shooting Star

The Literary Culture of the Liang (502–557)

Lost Soul

“Confucianism” in Contemporary Chinese Academic Discourse

Through a Forest of Chancellors

Fugitive Histories in Liu Yuan’s Lingyan ge, an Illustrated Book from Seventeenth-Century Suzhou

Sage Learning of Liu Zhi

Islamic Thought in Confucian Terms

Ancestors, Virgins, and Friars

Christianity as a Local Religion in Late Imperial China

Empire’s Twilight

Northeast Asia under the Mongols

Empire of Texts in Motion

Chinese, Korean, and Taiwanese Transculturations of Japanese Literature

‘Dividing the Realm in Order to Govern’

The Spatial Organization of the Song State (960–1276 CE)

Manifest in Words, Written on Paper

Producing and Circulating Poetry in Tang Dynasty China

Songs of Contentment and Transgression

Discharged Officials and Literati Communities in Sixteenth-Century North China

Ancestral Memory in Early China

Poetics of Sovereignty

On Emperor Taizong of the Tang Dynasty

Northern Alternative

Xue Xuan (1389–1464) and the Hedong School

Visionary Journeys

Travel Writings from Early Medieval and Nineteenth-Century China

Making Personas

Transnational Film Stardom in Modern Japan

Courtesans, Concubines, and the Cult of Female Fidelity

Home and the World

Editing the “Glorious Ming” in Woodblock-Printed Books of the Sixteenth and Seventeenth Centuries

Strange Eventful Histories

Identity, Performance, and Xu Wei's Four Cries of a Gibbon