Harlem Renaissance Series

Not Without Laughter

Blacker the Berry

Home to Harlem

Quicksand & Passing

Two Novellas

Complete Poems

Statesman of the Piano

Jazz, Race, and History in the Life of Lou Hooper

Muse Is Music

Jazz Poetry from the Harlem Renaissance to Spoken Word

Sounds of the New Deal

The Federal Music Project in the West

Black Post-Blackness

The Black Arts Movement and Twenty-First-Century Aesthetics

Jazz Internationalism

Literary Afro-Modernism and the Cultural Politics of Black Music

Autochthonomies

Transnationalism, Testimony, and Transmission in the African Diaspora

Roots of the Black Chicago Renaissance

New Negro Writers, Artists, and Intellectuals, 1893-1930

Ain't I an Anthropologist

Zora Neale Hurston Beyond the Literary Icon

Muse Is Music

Jazz Poetry from the Harlem Renaissance to Spoken Word

Black Post-Blackness

The Black Arts Movement and Twenty-First-Century Aesthetics

Jazz Internationalism

Literary Afro-Modernism and the Cultural Politics of Black Music

Autochthonomies

Transnationalism, Testimony, and Transmission in the African Diaspora

Roots of the Black Chicago Renaissance

New Negro Writers, Artists, and Intellectuals, 1893-1930

Ain't I an Anthropologist

Zora Neale Hurston Beyond the Literary Icon

Fascinating Rhythm

Reading Jazz in American Writing

Story/Time

The Life of an Idea

Picturing the New Negro

Harlem Renaissance Print Culture and Modern Black Identity

Left of the Color Line

Race, Radicalism, and Twentieth-Century Literature of the United States

African American Roots of Modernism

From Reconstruction to the Harlem Renaissance

Look for Me All Around You

Anglophone Caribbeans in the Harlem Renaissance

Liberation Memories

The Rhetorics and Poetics of John Oliver Killens

Daily Life in Jazz Age America

Hubert Harrison

Forbidden Genius of Black Radicalism

Hubert Harrison

Forbidden Genius of Black Radicalism