Anthem Film and Culture

Wittgenstein and Popular Culture

Cinema at the Margins

Selected Film Essays and Interviews

Selected Film Essays and Interviews

Horror and the Horror Film

Horror and the Horror Film

From Happy Homemaker to Desperate Housewives

Motherhood and Popular Television

Diaries of Frank Hurley 1912-1941

Diaries of Frank Hurley 1912-1941

Bollywood and Globalization

Indian Popular Cinema, Nation, and Diaspora

Photography, Early Cinema and Colonial Modernity

Frank Hurley's Synchronized Lecture Entertainments

Cinema at the Margins

Unhomely Cinema

Home and Place in Global Cinema

Films of Adoor Gopalakrishnan

A Cinema of Emancipation

Films of Adoor Gopalakrishnan

A Cinema of Emancipation

Whole Durn Human Comedy: Life According to the Coen Brothers

Spectral West

Super-Nature and the Gothic in the Western Film

Cultural Theory in the Films of Alfred Hitchcock

Cavell's Ontology of Film

'The World Viewed' After Half a Century

Sentimental Songs, Melodrama and Filmic Narrative in Bollywood’s Golden Age (1951–1963)

Action!

Interviews with Directors from Classical Hollywood to Contemporary Iran

Screen Writings

Genres, Classics, and Aesthetics

Screen Writings

Partial Views of a Total Art, Classic to Contemporary

Photography, Early Cinema and Colonial Modernity

Frank Hurley's Synchronized Lecture Entertainments

Performing the Iranian State

Visual Culture and Representations of Iranian Identity

Performing the Iranian State

Visual Culture and Representations of Iranian Identity

Finding Queensland in Australian Cinema

Poetics and Screen Geographies

Australian Theatre, Modernism and Patrick White

Governing Culture

Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017