Worship Space Acoustics
Inbunden, Engelska, 2010
1 369 kr
Produktinformation
- Utgivningsdatum2010-08-30
- Mått152 x 229 x 23 mm
- Vikt567 g
- FormatInbunden
- SpråkEngelska
- SerieAcoustics: Information & Communication Series
- Antal sidor328
- FörlagJ Ross Publishing
- ISBN9781604270372
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Mendel Kleiner obtained his Ph.D. in architectural acoustics in 1978 and is currently Professor of Acoustics at Chalmers University of Technology, Gothenburg, Sweden, and in charge of the Chalmers Room Acoustics Group. Dr. Kleiner is responsible for teaching room acoustics, audio, electroacoustics, and ultrasonics in the Chalmers Master Program on Sound and Vibration. He has more than 50 publications, presented keynote lectures and more than 110 papers, has led courses at international conferences on acoustics and noise control, and organized an international conference on acoustics. His main research areas are computer simulation of room acoustics, electroacoustic reverberation enhancement systems, room acoustics of auditoria, sound and vibration measurement technology, product sound quality, and psychoacoustics. Dr. Kleiner is a Fellow of the Acoustical Society of America, the Chair for the Audio Engineering Society's Technical Committee on Acoustics and Sound Reinforcement and on its Standards committee on Acoustics.David Lloyd Klepper is currently a student of Rabbinics at Yeshivat Beit Orot, Jerusalem, Israel. He was formerly President of Klepper Marshall King Acoustical Consultants, an Adjunct Professor of Architectural Acoustics at City University, New York City, and a senior consultant at Bolt Beranek and Newman. Mr. Klepper also has SM and SB degrees in Electrical Engineering from MIT. He has been an acoustical consultant for over 200 worship space buildings, including the National Presbyterian Church, Washington, DC; St. Thomas Church, New York City; the Capetown , South Africa, Anglican Cathedral; River Road Baptist Church, Richmond, Virginia; Young Israel of Southfield, Michigan; and Holy Cross Cathedral in Boston. He is a pioneer in the application of digital delay and electronic simulation of reverberation in worship spaces and in pew-back speech reinforcement. Mr. Klepper is the author of 37 published papers on acoustics, noise control, and electronic sound reinforcement systems. He was the Editor of Sound Reinforcement Anthology I and Sound Reinforcement Anthology II from the Audio Engineering Society (AES) and is a Fellow of both the AES and the Acoustical Society of America, a member of the Institute of Noise Control Engineering and the American Guild of Organists, and has received the Silver Medal (Berliner Medal) from the AES.Rendell R. Torres is a priest for the Roman Catholic Diocese of Albany, New York. Before the priesthood, he was a tenure-track professor and director of the Program in Architectural Acoustics at Rensselaer Polytechnic Institute (RPI) and now continues to serve as an adjunct professor. He obtained his undergraduate degree in civil engineering from the University of California, Berkeley, his M.S. in engineering acoustics from Penn State University, and his Ph.D. in applied acoustics from Chalmers Tekniska Hagskola (Chalmers University of Technology) in Gothenburg, Sweden. He pursued research in architectural acoustics and auralization with the Chalmers Room Acoustics Group in Sweden; at the Institute of Technical Acoustics in Aachen, Germany; and with the Acoustics Program at RPI. He has given lectures on his research for the Acoustical Society of America (ASA), the International Congress on Acoustics (ICA) in Japan and Italy, and the Institute of Acoustics (IoA) in the United Kingdom. He has been published in the Journal of the ASA and in Acustica, the journal of the European Acoustics Association. He is also an active cellist.
- IntroductionPart I: Acoustics and Sound Systems1. Fundamentals - Nature of Sound 1.1 Some important properties of sound1.2 Sound pressure, sound pressure level and sound level1.3 Sound pressure level and sound power1.4 Using the decibel scale1.5 Spectra of voice and music2. Hearing2.1 Basic properties2.2 Directional properties2.3 Masking and critical bands2.4 Hearing impairment2.5 Effects of masking in time3. Room Acoustics Fundamentals3.1 Propagation and reflection of sound3.2 Sound out-of-doors3.3 Geometrical acoustics, wave packets and sound rays3.4 Reflection of sound3.5 Sound decay in rooms and Sabine's equation3.6 Reverberation time and reverberation curves3.7 Spatial properties of reverberant sound3.8 Loudness of sounds in rooms3.9 Sound pressure level behavior in rooms4. Sound-Absorption and Sound-Absorbers4.1 Introduction4.2 Sound-absorption coefficient and sound-absorption area4.3 Porous sound-absorbers4.4 Resonant sound-absorbers4.5 Adjustable sound-absorption4.6 Sound-absorption by audience4.7 Residual sound-absorption5. Metrics for Room Acoustics5.1 Introduction5.2 Impulse response5.3 Reverberation time, RT5.4 Early decay time5.5 Clarity - early to reverberant ratio5.6 Initial time delay gap5.7 Speech intelligibility and articulation5.8 Speech intelligibility metrics5.9 Additional room acoustics metrics6. Simulation and Prediction6.1 Simulation and prediction in room acoustics6.2 Ultrasonic scale modeling6.3 Acoustical computer aided design6.4 Auralization7. Planning for Good Room Acoustics7.1 Introduction7.2 The "law of the first wave front" and binaural unmasking7.3 Preferred reverberation time7.4 Coloration7.5 Echo7.6 Some sound-reflection problems7.7 Annexes and dual slope reverberation curves7.8 Balconies7.9 Reflectors7.10 Barriers and mechitzot7.11 Diffusers7.12 Temporary structures, tents7.13 Rooms for speech7.14 Rooms for music8. Quiet8.1 Noise, annoyance, and sound quality8.2 Noise criteria8.3 Mechanical equipment room and general isolation8.4 Fan selection and sound output8.5 Vibration isolation9. Sound Isolation9.1 Sound transmission9.2 Noise reduction and sound transmission loss9.3 Efficient sound isolation9.4 Effect of background or masking noise9.5 Transmission loss curves of typical walls9.6 A balanced spectrum design9.7 The coincidence effect9.8 Average transmission loss and "sound transmission class," "stc" 9.9 Laboratory vs. field measurements9.10 Effects of leaks9.11 Double and more complex partitions9.12 Control of flanking sound transmission9.13 Music practice and teaching facilities9.14 Sound isolating windows, partitions, and doors9.15 Exterior noise10. Sound Systems for Clarity and Reverberation10.1 Introduction10.2 Basic types of worship space sound reinforcement systems10.3 Equipment10.4 Applications10.5 System planning and implementationPart II: Synagogues, Churches, and MosquesSynagogues1. History2. Modern synagogue architecture3. Separation of sexes, the mehizah4. Small synagogues5. Synagogues as study halls, beit ha-midrash6. Communities within the Jewish people7. Chassidism8. The reform movement9. The conservative movement10. Noise issues11. Overflow seating12. Room finishes13. Use of sound amplification14. SummaryChurches1. Introduction2. Historical survey of Christian liturgy3. Acoustics for Christian worship4. Reverberant acoustics - Roman Catholic liturgy as an example5. Typical liturgical music for reverberant spaces6. Acoustics for liturgy in reverberant spaces7. Examples: reverberant/semi-reverberant spaces8. Absorptive acoustics - evangelical/blended worship as examples9. Typical worship music in absorptive spaces having absorptive acoustics10. Acoustics for worship in absorptive spaces11. Examples: absorptive/semi-absorptive spaces12. SummaryMosques1. Historical development2. Worship characteristics3. Music in Islamic culture4. Mosque acoustics and sound systems5. Noise control considerations6. MinaretsAppendix: Calculation of Reverberation TimeIndex
"This much needed book on the acoustics of worship spaces has been produced by three widely-experienced authors and is worthy of consideration by architects, acousticians, builders, administrators and anyone interested in the history or construction of spaces for worship." --Leo L. Beranek, former MIT professor and a founder and former president of Bolt, Beranek and Newman (now BBN Technologies)