Women and madness in the early Romantic novel

Injured minds, ruined lives

Inbunden, Engelska, 2024

1 689 kr

Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women’s mental afflictions. The book explores how the more radical authors — Wollstonecraft, Fenwick and Hays — blamed men and patriarchal structures of control for their characters’ hysteria and melancholia, while the more mainstream writers — Edgeworth and Opie — located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women’s mental health in eighteenth- and nineteenth- century literary criticism.

Produktinformation

Utgivningsdatum2024-11-19
Mått156 x 234 x 16 mm
Vikt527 g
FormatInbunden
SpråkEngelska
Antal sidor248
FörlagManchester University Press
ISBN9781526175717

Tillhör följande kategorier

Litteraturvetenskap inom Skönlitteratur
Genusvetenskap inom Samhälle och politik

Introduction: Women and madness in the early-Romantic novel1 Madness and Maria: The Wrongs of Woman and patriarchal control2 Of Madness and monitors: Secresy; or, the Ruin on the Rock3 Death by despair: Fatal melancholia in The Victim of Prejudice4 Misplaced passions, erroneous associations and remorse: Madness reconsidered in Belinda5 The impossibility of love-madness: The Father and DaughterCoda: Wide Sargasso Sea: The erasure of love-madness and the mad woman’s revengeBibliographyIndex

‘On the journey from Sterne’s roadside ‘Mad Maria’ to Brontë’s ‘Madwoman in the Attic,’ Weiss has found not only other vivid female characters reduced by patriarchy to mania or melancholy but also the makings of a dark sequel to her excellent book on the figure of the female philosopher. ‘—James Chandler, The University of Chicago‘Thorough in its research, measured and persuasive in its arguments, wide-reaching in its implications, and very well-written, Weiss's splendid book shows how five exemplary novelists used the resources of narrative fiction to upend patriarchal discourses regarding women and mental health.’—Stephen Arata, The University of Virginia