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Fans and the billion-dollar franchises in which they participate have together become powerful agents within popular culture. These franchises have launched avenues for fans to expand and influence the stories that they tell. This book examines those fan-driven narratives as "wilderness texts," in which fans use their platforms to create for themselves while also communicating their visions to the franchises, thus spurring innovation. The essays in this collection look at how fans intervene in the production of mass media. Scholars analyze the negotiations between fan desires for both novelty and familiarity that franchises must maintain in order to achieve critical and commercial success. Applying varying theoretical approaches to discussions of fan responses to franchises, including Star Wars, Marvel, Godzilla, Firefly, The Terminator, Star Trek, DC, and The Muppets, these essays provide insight into the ever-changing relationships between fandom and transmedia storytelling.
Rhonda Knight is a professor of English at Coker University in Hartsville, South Carolina, where she currently holds The James Wayne Lemke Endowed Chair in College Service and Leadership. Donald Quist teaches writing at the University of Missouri in Columbia and is on the faculty at the Alma College MFA in Writing Program.
Table of ContentsWe Want the Wilderness: A PrefaceDonald Quist and Rhonda KnightAn Introduction to Fans and Franchises: Essays on the Changing Landscape of FandomDonald Quist and Rhonda Knight with John E. PriceSection One: Fans and CanonThe Pedler-Davis Legacy: Cybermen in the Doctor Who WildernessRhonda KnightThe Wild Canon: Examining the Slash Impact in Roddenberry’s Star TrekDanielle S. GirardA Hero Divided: The Fractured Narrative Arc of Luke Skywalker in the Star Wars Expanded Universe (1977–2014)Jonathan HaySection Two: Franchises and Fans“What we make of it”: Terminator Salvation and the Neglect of Core Franchise ThemesCamilo PeraltaWhose Godzilla? Rethinking the King of Monsters Through the FilmsJoe YangWhere Auteur Fails: Zack Snyder and the Author-FunctionHannah TaylorThe Scraps of DC: Media Ownership, Film Economics and the ArrowverseTim PosadaReminders of Life’s Impermanence: Death, Endings and Closure in Logan and Avengers: InfinityMike HernandezSection Three: Fan Responses“Take me out to the black”: Firefly, Fanfiction and the (Re)Making of Modern MythsJim Casey and Nicola Rene GovocekYou Always Spoof the One You Love: Thirty Years of Professional Take-Offs on The Muppet ShowJonathan Hartmann“We, the fans of Star Wars”: Negotiating Resistance in an Age of ConsumptionJoseph S. WalkerFans, Franchises and Cultural Production: What The Hobbit and Disney’s Star Wars Tell Us About the Internet and Media Entertainment CultureZachary SheldonAbout the ContributorsIndex