What Pornography Knows

Kathleen Lubey is Professor of English at St. John's University. She is the author of Excitable Imaginations: Eroticism and Reading in Britain, 1660-1760 (2012).

• Introduction: Pornography Without Sex1. Genital Parts: Detachable Properties in the Eighteenth Century2. Feminist Speculations: Penetration and Protest in Pornographic Fiction3. The Victorian Eighteenth Century: Publishing an Erotics of Inequity4. Uncoupling: Pornography and Feminism in the Countercultural EraCoda: A Mindful Pornography

"What if pornography built the body as we know it and can also help dismantle it? In What Pornography Knows, Kathleen Lubey tracks texts like a detective across centuries as they hide on secret library shelves, analyzes them with verve, and shows us, brilliantly, how pornography doesn't just celebrate endless sex but in fact constructed sex as we know it, and with more ambivalence than we'd realized. A masterful rethinking of the history of pornography."—Whitney Strub, author of Perversion for Profit: The Politics of Pornography and the Rise of the New Right "Kathleen Lubey's dazzling study makes available an astounding new history of pornographic narrative––or, rather, of pornographic dilation, since 'narrative' is among the categories of representation we will have to rethink in response to this landmark study, along with 'knowledge,' 'embodiment,' and 'sexuality.' This book will make a lasting impact in a number of scholarly fields––and it is sorely needed: a non-phobic, but characteristically skeptical, treatment of a pornography as a far more complex genre than hitherto perceived."—Grace Lavery, author of Please Miss: A Heartbreaking Work of Staggering Penis "With analysis that is nothing short of astonishing, Lubey offers a dramatic, eloquent cultural history of pornography with an ingenious throughline in a single much-transformed text. What Pornography Knows offers significant new information about literary fields from the eighteenth century to the present and makes available new insights about the social hierarchies in which they participated."—Frances Ferguson, University of Chicago, author of Pornography, The Theory: What Utilitarianism Did To Action "Lubey's greater argument, that pornography places sex in a discursive whirl that assesses how culture and sex refract each other, remains useful for porn studies and histories of erotic literature. This monograph will feel especially interesting to researchers working on porn's reception history and the intersection of eighteenth century book history with spheres of erotic production."—Gabriel Ojeda-Sague, Critical Inquiry "What Pornography Knows is a rare achievement in that it balances serious archival acumen and book history with theoretical sophistication and, in the end, a consequential presentism which left me thinking differently about a period and topic that I have long researched. It is as much a virtuoso literary history as it is a roadmap for the exciting directions that eighteenth-century scholarship can take."—Jason S. Farr, Eighteenth-Century Fiction "As a great entry into gender and sexuality studies, Lubey's unabashed theoretical monograph would be helpful for anyone looking to discuss pornography and gender correlations."—Tiffany Sidders, The Journal of Popular Culture "Kathleen Lubey's What Pornography Knows: Sex and Social Protest since the Eighteenth Century is a brilliant study that will fundamentally change the way you understand pornography and literary representations of sex."—Kelly Fleming, Digital Defoe "What Pornography Knows is a wonderful addition to the scholarship, and I would be surprised if it did not quickly become an important landmark for those in the field."—Bradford Mudge, Eighteenth-Century Life