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Everyone seems to know what film noir is, but scholars and critics cannot agree on any definition. Some go so far as to insist that there is no such thing. What is Film Noir? claims that this confusion arises from the fact that film noir is both a genre and a period style, and as such is unique in the history of Hollywood. The genre, now known as “neo-noir,” continues into the present, while the period, which began in the early 1940s, had expired by 1960. William Park surveys the various theories of film noir, defines the genre, and explains how film noir relates to the style and the period in which it was created. The book corrects several common misconceptions: that film noir was an afterthought, that Hollywood was not conscious of what it was creating, and that film noir is too amorphous to be a genre. Park also provides a very useful theory of genre and how it relates to film study.
William Park has taught at Hamilton College, Columbia, and Sarah Lawrence, where he co-founded the film program. He is the coeditor of The College Anthology of English and American Poetry, the author of The Idea of Rococo, Hollywood: An Epic Production, and numerous articles on film.
Chapter 1 Introduction Chapter 2 Chapter 1: Theory of Genre Chapter 3 Chapter 2: Film Noir: The Genre Defined Chapter 4 Chapter 3: Objections Chapter 5 Chapter 4: Style Chapter 6 Chapter 5: Period Style Chapter 7 Chapter 6: Alfred Hitchcock Chapter 8 Chapter 7: Meanings Chapter 9 Chapter 8: Last Words Chapter 10 Appendices Chapter 11 Appendix A: Within the Genre Chapter 12 Appendix B: Borderline Chapter 13 Appendix C: Period Pieces Chapter 14 Works Cited Chapter 15 Index
[Park] has opened the door to a new type of inquiry for [noir film]. Others who follow can walk through it to anchor a more historically coherent "unified field theory" of noir that will serve to place it in a truly comprehensive lens.