Alice Wood’s Virginia Woolf’s Late Cultural Criticism: The Genesis of ‘The Years’, ‘Three Guineas’ and ‘Between the Acts’ illuminates the formation of Virginia Woolf’s last three major works within larger literary and historical contexts. Wood’s approach to Woolf’s writings is refreshing, which integrates 'feminist-historicist' analysis with genetic criticism, a French school of textual studies that reconstructs the genesis of literary texts through published and pre-publication materials, or what geneticists have called 'avant-textes' (pre-texts) … Examining an extensive gathering of sources, ranging from Woolf’s reading notes, research scrapbooks, holograph and typescript drafts, manuscripts, and proofs to her diaries, essays, and correspondence, Wood deftly synthesizes critical interpretations of Woolf’s evolving aesthetic practices and political stance with detailed analysis of authorial considerations under the influence of contemporary writing and political climate in the last decade of Woolf’s life.