A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an anti-black world, these outcasts embraced Africana esotericisms—ancestral veneration, faith healing, spiritualized sex work, and more—to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions.
Ahmad Greene-Hayes is assistant professor of African American religious studies at Harvard Divinity School at Harvard University.
List of AbbreviationsIntroductionVISITATION 1 Zora on “Voodoo”1 “Midnight Orgies”: Voudou and the Problem of Possessed Black Flesh from Haiti to LouisianaVISITATION 2 Zora on Lynching2 “Smoke Out the Negro Devils”: Black Cosmopolitan Eclecticism in the New Century and the Terror of LynchingVISITATION 3 Zora Eats the Salt3 “Making a Place for Negro Untouchables”: Black Sexual Victorianism and Its CounterconductsVISITATION 4 Zora Talks “Hoodoo in America” and Elsewhere4 “Dangerous and Suspicious”: Hoodoo, Faith Healing, and Sex Work in the Black SlumVISITATION 5 Zora’s Unpublished Satire on Marcus Garvey: “The Emperor Effaces Himself”5 “The Right Idea of God”: Sinners and Saints in the New Orleans Division of the Universal Negro Improvement AssociationVISITATION 6 Zora Worships with the Sanctified6 “We Ain’t Spiritualists, We’s the Sanctified Church”: Black Pentecostals and the Politics of DistinctionCodaAcknowledgmentsNotesIndex
"Greene-Hayes skillfully teases out archival evidence and uses it to paint a picture of a vibrant, dynamic, intentionally counterhegemonic Black space."
