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Scholars have been studying the films of Stanley Kubrick for decades. This book, however, breaks new ground by bringing together recent empirical approaches to Kubrick with earlier formalist approaches to arrive at a broader understanding of the ways in which Kubrick’s methods were developed to create the unique aesthetic creation that is 2001: A Space Odyssey. More than 50 years after its release, contributors explore the film’s still striking design, vision and philosophical structure, offering new insights and analyses that will give even dedicated Kubrick fans new ways of thinking about the director and his masterpiece.
James Fenwick is a Senior Lecturer in Creative and Cultural Industries at The University of Manchester.
Introduction: Forging new perspectivesJames FenwickPart One: Narrative and Adaptation-Chapter One: ‘God, it’ll be hard topping the H-bomb’: Kubrick’s search for a new obsession in the path from Dr. Strangelove to 2001: A Space OdysseySimone OdinoChapter Two: 2001: A Space Odyssey: A transcendental trans-locutionSuparno BanerjeeChapter Three: Four-colour Kubrick: Jack Kirby’s 2001: A Space Odyssey as adaptation and extensionDru JeffriesPart Two: Performance-Chapter Four: Performing the man-ape in ‘The Dawn of Man’: Daniel Richter and The American Mime TheatreJames FenwickChapter Five: Life functions terminated: Actors’ performances and the aesthetics of distanced subjectivity in 2001: A Space OdysseyVincent JaunasPart Three: Technology-Chapter Six: From technical to cinematographic objects in 2001: A Space OdysseyAntoine Balga-PrévostChapter Seven: Homo machinus: Kubrick’s two HALs and the evolution of Chapter Seven: Homo machinus: Kubrick’s two HALs and the evolution of monstrous machinesCynthia J. Miller and A. Bowdoin Van RiperPart Four: Masculinity and the Astronaut-Chapter Eight: Clarke and Kubrick’s 2001: A queer odysseyDominic JanesChapter Nine: ‘But as to whether or not he has feelings is something I don’t think anyone can truthfully answer’: The image of the astronaut in 2001: A Space Odyssey and its lasting impactNils Daniel PeilerPart Five: Visual Spectacle-Chapter Ten: Negative/Positive: Metaphors of photography in 2001: A Space OdysseyCaterina MartinoChapter Eleven: The sublime in 2001: A Space OdysseyRachel WaliskoPart Six: Production-Chapter Twelve: 2001: A comprehensive chronologyFilippo Ulivieri
'Understanding Kubrick’s 2001: A Space Odyssey: Representation and Interpretation is primarily recommended for covering a variety of approaches, and so soon after the film’s fiftieth anniversary celebration and recent 4K Ultra HD home video release, fresh approaches to this masterpiece are needed now as much as ever.'