Tula

Tula:a ruined Toltec capital; a Russian city known for its accordions; Tagalog for "poem." Prismatic, startling, rich with meaning yet sparely composed, Chris Santiago's debut collection of poems-selected by A. Van Jordan as the winner of the 2016 Lindquist & Vennum Prize for Poetry-begins with one word and transforms it, in a dazzling sleight of hand, into a multivalent symbol for the immigrant experience.Tula: Santiago reveals to readers a distant land devastated by war.Tula: its music beckons in rhythms, time signatures, and lullabies.Tula: can the poem, he seems to ask, build an imaginative bridge back to a family lost to geography, history, and a forgotten language? Inspired by the experiences of the second-generation immigrant who does not fully acquire the language of his parents,Tulapaints the portrait of a mythic homeland that is part ghostly underworld, part unknowable paradise. Language splinters. Impossible islands form an archipelago across its landscape. A mother sings lullabies and a father works the graveyard shift in Saint Paul-while in the Philippines, two dissident uncles and a grandfather send messages and telegrams from the afterlife. Deeply ambitious, a collection that examines the shortcomings and possibilities of both language and poetry themselves,Tulaintroduces a major new literary talent.