"Its approach in terms of poverty and unemployment combined with a subtle interest in performance and the creation of an original culture makes this book an eye-opener. Both the dramatic subject and the author's vivid style make it a pleasure to read and also food for thought regarding issues that haunt not only Africa but also the world at large."—American Historical Review"In conclusion, both undergraduate and graduate students of African history, urban history, women's sexuality, gender studies, and even transnational film studies would benefit from this book. . . . Additionally, as the provocative title suggests, American undergraduate students—even those unfamiliar or new to Central African literatures—will find this book both engaging and accessible because of parallels and differences drawn between the American Far West and Kinshasa."—Research in African Literatures"An innovative and original study that sheds light on masculinity, youth culture, performative violence, and the circuit of global imagery in the townships of Kinshasa."—Stephan F. Miescher, author of Making Men in Ghana and Modernization as Spectacle in Africa"Aligns social banditry with popular cultural formations and subcultures. This has been a longstanding feature of Didier Gondola's scholarship that is of great interest."—Peter J. Bloom, University of California, Santa Barbara