Packaged with an overpowering amount of primary materials and secondary sources, this book is a major study of triangular comparisons and interactions of Russo-Japanese-Sino transculturation across a broad landscape from Pushkin to Lu Xun, all based on the author’s own intimate command of three languages: Russian, Japanese, and Chinese. The author, Xiaolu Ma, writes in a dense but elegant style, whose knowledge of the Russian language gives her a great advantage, as obscure texts appear in refreshing light in this 'trans-space' of modernity. All in all, this 'snapshot' turns out to be a masterful scholarly tome and definitely a major achievement.