Richard J. Jones is an editor and associate lecturer with the Open University in the UK. He is interested in the culture of the long eighteenth century and, in particular, questions about genre, form, and the relationship of philosophy and literature.

• 1 Acknowledgments2 Abbreviations3 Introduction4 i. Smollett and the Enlightenment in Glasgow5 ii. Travels through France and Italy6 iii. Attribution7 Chapter One: A Physical Gentleman8 i. Smollett and Medicine9 ii. Water10 iii. Natural History11 Chapter Two: A Good Critic12 i. Smollett and the Fine Arts13 ii. Francis Hutcheson and Thomas Reid14 iii. Adam Smith15 Chapter Three: A Theatrical Divine16 i. Smollett and the Theatre17 ii. Novels and Performances18 iii. Carnival19 Chapter Four: A Friend of Virtue20 i. Smollett and History21 ii. David Hume and the Stuarts22 iii. George III23 Conclusion24 Bibliography

The shelf of scholarly monographs on Smollett is short: the only important works in English in recent decades are James Basker's Tobias Smollett, Critic and Journalist (1988), Aileen Douglas's Uneasy Sensations: Smollett and the Body (CH, Jan'96, 33-2591), Jerry C. Beasley's Tobias Smollett, Novelist (1998), and William Gibson's Art and Money in the Writings of Tobias Smollett (2006). A new work on such a major author is therefore welcome. Jones (Open Univ., UK) uses Smollett's travel book, Travels through France and Italy, as a starting point for a series of investigations of the connections between the Scottish writer's works and the Scottish Enlightenment. There are chapters on medicine (Smollett was a physician), literary criticism, drama, and history. This attractive, clearly written volume will be valuable for anyone interested in Smollett's multifarious career, and also for those who study 18th-century travel writing and Scottish intellectual life. Summing Up: Recommended.