This Is How

Häftad, Engelska, 2010

159 kr

Slutsåld

All actions have consequences. This is how life goes. Patrick is a loner, an intelligent but disturbed young man struggling to find his place in the world. He ventures out on his own, and, as he begins to find happiness, he commits an act of violence that sends his life horribly and irreversibly out of control. But should a person's life be judged by a single bad act? This is How is a compelling and macabre journey into the dark side of human existence and a powerful meditation on the nature of guilt and redemption.

Produktinformation

Utgivningsdatum2010-04-01
Mått129 x 198 x 24 mm
Vikt267 g
FormatHäftad
SpråkEngelska
Antal sidor400
FörlagCanongate Books
ISBN9781847673831
UtmärkelserLong-listed for International IMPAC DUBLIN Literary Award 2011 (Ireland)

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M.J Hyland is an ex-lawyer and the author of three multi-award-winning novels: How the Light Gets In (2004), Carry Me Down (2006) and This is How (2009). Carry Me Down (2006) was shortlisted for the Man Booker Prize and won both the Hawthornden Prize and the Encore Award. M.J Hyland has twice been longlisted for the Orange Prize (2004 and 2009), the Commonwealth Writers' Prize (2004 and 2007) and This is How (2009) was also longlisted for the Dublin International IMPAC prize.M.J Hyland is also a lecturer in Creative Writing in the Centre for New Writing at the University of Manchester where she runs fiction workshops, alongside Martin Amis (2007-2010), Colm Tóibín (2010-2011) and Jeanette Winterson (2013 - ). M.J Hyland also runs regular Fiction Masterclasses in the Guardian Masterclass Programme, and has twice been shortlisted for the BBC Short Story Prize (2011 and 2012). She also publishes in the Guardian 'How to Write' series, and has written nonfiction for the Financial Times, Granta, the New Yorker and elsewhere. M.J Hyland is also co-founder of the Hyland & Byrne Editing Firm (see - www.editingfirm & www.mjhyland.com)

Darkly, sparsely, and with sustained intensity, Hyland constructs the montage of a killer . . . a dash of Camus's Meursault is added to the pathology . . . She writes intelligently about her subject's growing institutionalization, his bafflement growing into boredom then safety as Patrick gradually finds a kind of happiness inside . . . From within these shady borderlands Hyland has produced a memorable study.