Skickas onsdag 18/3. Fri frakt för medlemmar vid köp för minst 249 kr.
The ‘Theatre of the Absurd’ has become a familiar term to describe a group of radical European playwrights – writers such as Samuel Beckett, Eugène Ionesco, Jean Genet and Harold Pinter – whose dark, funny and humane dramas wrestled profoundly with the meaningless absurdity of the human condition. It is a testament to the power and insight of Martin Esslin’s landmark work, originally published in 1961, that its title should enter the English language in the way that it has.Now available in the Bloomsbury Revelations series with a new preface by Marvin Carlson, The Theatre of the Absurd remains to this day a clear-eyed work of criticism on a compelling period of European writing.
Martin Esslin OBE (1918-2002) was a prolific dramatist, producer and translator, as well as being one of the most perceptive theatre critics of the 20th century.
AcknowledgementsForeword Forty Years OnIntroduction: The Absurdity of the Absurd1. Samuel Beckett: The Search for the Self2. Arthur Adamov: The Curable and the Incurable3. Eugene Ionesco: Theatre and Anti-Theatre4. Jean Genet: A Hall of Mirrors5. Harold Pinter: Certainties and Uncertainties6. Parallels and Proselytes7. The Tradition of the Absurd8. The Significance of the Absurd9. Beyond the AbsurdBibliography 1: The Dramatists of the AbsurdBibliography 2: Background and History of the Theatre of the AbsurdIndex
Gilles Deleuze, Felix Guattari, Gilles (No current affiliation) Deleuze, social theorist and radical activist. He is best known for his collaborative work with Gilles Deleuze.) Guattari, Felix ((1930-1992) was a French psychoanalyst, philosopher