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This is the first of two volumes of documents which describe the growth and development of theatre in the United States. The first volume covers the period from the beginnings of theatre in the North American colonies up to the First World War. With such an abundance of primary documents to consult, the editors have focused on three specific 'tensions' that have created and sustained American theatre: commercial versus artistic values; urban versus regional theatre; and the controversy over what is American and what is 'foreign' or imported. The volume is organized in three chronological sections, each with its own introduction. The documents and commentary are arranged into chapters on business practice, acting, theatre buildings, drama, design and audience behaviour. Written sources include records of business transactions, letters, newspaper reports, reviews, memoirs and architectural descriptions. There are also numerous pictorial items.
1. 1750–1810 Martha Mahard; 2. 1810–1865 David Rinear; 3. 1865–1915 Don B. Wilmeth.
"Witham's picture of dramatic activities is drawn from an impressive wealth of documents: newspaper reports, proposals, minutes, script excerpts, reviews, business files, and so on. In this far-reaching and objective view, we come to see the importance of women and minorities in the theater as well as the significance of the existence of regional productions throughout the country." The Virginia Quarterly Review