The Voice of Virtue

Moral Song and the Practice of French Stoicism, 1574-1652

Inbunden, Engelska, 2023

Av Melinda Latour, Tufts University) Latour, Melinda (Rumsey Family Assistant Professor in the Humanities and Arts, and Assistant Professor of Musicology, Rumsey Family Assistant Professor in the Humanities and Arts, and Assistant Professor of Musicology, Melinda LaTour

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The Voice of Virtue illuminates the musical practices at the heart of the Neostoic movement that spread across French lands during the Wars of Religion in the latter half of the sixteenth century. Guided by twin reparative traditions granting music and philosophy therapeutic power, composers and performers across the embattled Catholic and Protestant confessions turned to moral song as a means of repairing personal and collective virtue damaged by the ongoing conflict. Moral song collections enlarged interest in Stoic philosophy by circulating its ethical program to a broader audience through attractive paraphrases of Stoic maxims set to music. Even more importantly, this skillfully composed repertoire of polyphonic song offered a multi-sensory moral practice that would have resonated powerfully for those well-versed in the paradoxes of the Stoic tradition. Bringing together a repertoire of little-known music prints, a rich visual culture, and an impressive body of literary and philosophical sources, The Voice of Virtue not only illuminates the influence of Stoicism on music, but also reveals that we cannot fully understand Neostoicism as an intellectual or cultural movement without accounting for its vibrant musical sounds. Virtue, as voiced in these Stoic practices, proves to be both rational and fully invested in the sensory processes of the singing body.

Produktinformation

Utgivningsdatum2023-04-12
Mått236 x 163 x 28 mm
Vikt694 g
FormatInbunden
SpråkEngelska
Antal sidor360
FörlagOUP USA
ISBN9780197529744
UtmärkelserWinner, Morris D. Forkosch Book Prize, Journal of the History of Ideas

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Melinda Latour is Rumsey Family Assistant Professor in the Humanities and Arts and Assistant Professor of Musicology at Tufts University. Her scholarship on early music has appeared in Music and Letters, the Journal of Musicology, and the Cambridge History of Sixteenth-Century Music. She has recently published an edited collection (co-edited with Robert Fink and Zachary Wallmark), The Relentless Pursuit of Tone: Timbre in Popular Music (2018), which won the Ruth A. Solie Award from the American Musicological Society. Her research has been supported by the American Council of Learned Societies and the National Endowment for the Humanities.

This vividly-written and strikingly original study shows how song could act as a crucial tool for individual and collective moral repair at a time when France was riven by war and religious dispute. Through a meticulously researched exploration of Stoic currents in musical culture, Latour convincingly argues that moral song became a significant mode of informal philosophy as early modern French people sought to live well, to cultivate virtue, and to face adversity.