Garrison's book will be enjoyed and remembered for years to come.[This book] profits from not only Shakespeare's but also Garrison's robust memory, which culls, from what must be a voracious commonplace book, a treasure trove of [...] far-flung quotations, including- to name but a few of the strange bedfellows that Garrison acquaints the Sonnets with-Constantine Cavafy, Arthur Schopenhauer, the film Brokeback Mountain, Antonio Damasio, Melanie Klein, Michael Ondaatje, Annie Lennox, William Faulkner, John Lyly, and Jorge Luis Borges. Garrison capitalizes on the promiscuity, even the polyamory, of intertextual memory, since his quotations engender at times the thrill of unexpected encounters, quick couplings, and new combinations, furnishing him with a unique shorthand for composing smart close readings of the Sonnets.