The Kantian Sublime and the Revelation of Freedom

Häftad, Engelska, 2015

Av Robert R. Clewis, Pennsylvania) Clewis, Robert R. (Gwynedd-Mercy College

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In this book Robert R. Clewis shows how certain crucial concepts in Kant's aesthetics and practical philosophy - the sublime, enthusiasm, freedom, empirical and intellectual interests, the idea of a republic - fit together and deepen our understanding of Kant's philosophy. He examines the ways in which different kinds of sublimity reveal freedom and indirectly contribute to morality, and discusses how Kant's account of natural sublimity suggests that we have an indirect duty with regard to nature. Unlike many other studies of these themes, this book examines both the pre-critical Observations and the remarks that Kant wrote in his copy of the Observations. Finally, Clewis takes seriously Kant's claim that enthusiasm is aesthetically sublime, and shows how this clarifies Kant's views of the French Revolution. His book will appeal to all who are interested in Kant's philosophy.

Produktinformation

Utgivningsdatum2015-12-03
Mått153 x 230 x 15 mm
Vikt400 g
FormatHäftad
SpråkEngelska
Antal sidor274
FörlagCambridge University Press
ISBN9781107559264

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Filosofiska discipliner inom Filosofi och religion

Introduction; 1. The Observations and the Remarks; 2. The judgment of the sublime; 3. Moral feeling and the sublime; 4. Various senses of interest and disinterestedness; 5. Aesthetic enthusiasm; 6. Enthusiasm for the idea of a republic; 7. Conclusion; Appendix 1. On the Remarks; Appendix 2. Some features of the feelings discussed in this book; Appendix 3. Classification of what elicits sublimity; Bibliography; Index.

'This is a comprehensive and insightful treatment of the Kantian sublime. It convincingly links Kant's aesthetic discussions of the sublime to both his moral philosophy and his political perspective. Toward that end Clewis emphasizes the role of enthusiasm in the sublime and provides exceedingly nuanced analyses of the various senses of disinterestedness and interest that help to elucidate how the aesthetic can have moral import.' Rudolf A. Makkreel, Emory University, Atlanta