Synthesizers and Subtractive Synthesis, Volume 2

Application and Practice

Inbunden, Engelska, 2024

AvJean-Michel Réveillac,Jean-Michel Réveillac

2 079 kr

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Subtractive sound synthesis is one of the most widely used techniques in electronic music and in many analog synthesizers since the early 1960s. It is based on a simple principle, but its operation is complex, involving many parameters. It can be enhanced by a variety of effects that give the sound its authenticity, and does not simply imitate musical instruments, but can also transcribe noises present in natural soundscapes or generate entirely synthetic sounds.Synthesizers and Subtractive Sound Synthesis 2 presents practical exercises, ranging from the fundamentals to advanced functionalities. Most of the sound effects applicable to subtractive synthesis are covered: vibrato, phaser, reverb, etc. The final chapters deal with polyphony and arpeggiator-sequences.

Produktinformation

Utgivningsdatum2024-06-14
Mått156 x 234 x 18 mm
Vikt703 g
FormatInbunden
SpråkEngelska
Antal sidor304
FörlagISTE Ltd and John Wiley & Sons Inc
ISBN9781786309259

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Preface ixIntroduction xiiiChapter 1 Subtractive Synthesis: The Beginning 11.1 Exercise 1 -- generate sound with a single oscillator 21.1.1 Behringer Neutron 21.1.2 Behringer 2600 (ARP 2600) 41.1.3 Max/MSP 61.1.4 Pure Data 81.1.5 VCV Rack 101.2 Exercise 2 -- associate an envelope 121.2.1 Behringer Neutron 121.2.2 Behringer 2600 (ARP 2600) 131.2.3 Max/MSP 151.2.4 Pure Data 161.2.5 VCV Rack 181.3 Exercise 3 -- add a filter 181.3.1 Behringer Neutron 191.3.2 Max/MSP 201.3.3 Pure Data 211.3.4 VCV Rack 231.4 A little further with Max/MSP, Pure Data and VCV Rack 241.4.1 ADSR with Max/MSP 241.4.2 Filter with Max/MSP 251.4.3 Configurable filter with Max/MSP 261.4.4 Custom waveforms with Pure Data 281.4.5 ADSR with Pure Data 301.4.6 Signals and filters with Pure Data 321.4.7 Additional modules with the VCV Rack 351.5 Final remarks 36Chapter 2 Subtractive Synthesis: The Fundamentals 372.1 Exercise 4 -- adding an envelope to the filter 382.1.1 Minimoog 392.1.2 Behringer 2600 (ARP 2600) 412.1.3 Max/MSP 422.1.4 Pure Data 462.1.5 VCV Rack 492.2 Exercise 5 -- integrating an LFO 502.2.1 Minimoog 522.2.2 Novation Bass Station II 562.2.3 Max/MSP 582.2.4 Pure Data 622.2.5 VCV Rack 642.2.6 Reaktor 672.3 Exercise 6 -- multiple oscillators 712.3.1 Minimoog (or clones) 712.3.2 Novation Bass Station II 752.3.3 Max/MSP 762.3.4 Pure Data 802.3.5 VCV Rack 822.3.6 Reaktor 832.4 Exercise 7 -- noise generator 862.4.1 Minimoog 862.4.2 Behringer 2600 (ARP 2600) 892.4.3 Novation Bass Station II 902.4.4 Max/MSP 912.4.5 Pure Data 952.5 To conclude classic synthesis 97Chapter 3 Advanced Subtractive Synthesis 993.1 Exercise 8 -- ring modulation 1003.1.1 Behringer 2600 (ARP 2600) 1023.1.2 Arturia MatrixBrute 1033.1.3 Novation Bass Station II 1043.1.4 Max/MSP 1063.1.5 Pure Data 1073.1.6 VCV Rack 1103.1.7 Reaktor 1113.2 Exercise 9 -- sample and hold 1133.2.1 Behringer 2600 (ARP 2600) 1143.2.2 Arturia MatrixBrute 1153.2.3 Max/MSP 1163.2.4 Pure Data 1193.2.5 VCV Rack 1213.2.6 Reaktor 1223.3 Sound effects 1253.3.1 Exercise 10 -- reverberation 1263.3.2 Exercise 11 -- chorus 1413.3.3 Exercise 12 -- flanger 1493.3.4 Exercise 13 -- phaser 1573.4 Conclusion 164Chapter 4 Duophony, Paraphony and Polyphony 1654.1 Exercise 14 -- duophony and paraphony 1664.1.1 Behringer 2600 (ARP 2600) 1664.1.2 Novation Bass Station II 1684.1.3 Behringer Neutron 1704.1.4 Arturia MatrixBrute 1724.2 Exercise 15 -- polyphony 1734.2.1 Max/MSP 1744.2.2 Pure Data 1814.2.3 VCV Rack 1864.2.4 Reaktor 1904.3 Conclusion 193Chapter 5 Sequencers and Arpeggiators 1955.1 Exercise 16 -- sequencers and arpeggiators 1975.1.1 VCV Rack 1975.1.2 Reaktor 2035.1.3 Max/MSP 2115.1.4 Pure Data 2235.2 Conclusion 230Conclusion 233Appendix 1 USB Connectivity 237Appendix 2 Pure Data Extensions 239Appendix 3 Keyboards and Interfaces 249Appendix 4 MIDI Notes, Numbers and Frequencies 253Glossary 257References 265Index 275