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Essays on the post-modern reception and interpretation of the Middle Ages, with a particular concentration on environmental matters.Ecoconcerns and ecocriticism are a rising trend in medievalism studies, and form a major focus of this collection. Topics under discussion in the first part of the volume include figurations in nineteenth- and twentieth-century medievalism; environmental medievalism in Sidney Lanier's Southern chivalry; nostalgia and loss in T.H. White's "forest sauvage"; and green medievalism in J.R.R. Tolkien's elven realms.The eleven subsequent articles continue to take in such themes more tangentially, testing and buillding on the methods and conclusions of the first part. Their subjects include John Aubrey's Middle Ages; medieval charter-horns in early modern England; nineteenth-centuryreimaginings of Chaucer's Griselda; Dante's influence on Harlan Ellison's "I Have No Mouth and I Must Scream"; multi-layered medievalisms in George R.R. Martin's A Song of Ice and Fire; (coopted) feminism via medievalism inDisney's Maleficent; (neo)medievalism in Babylon 5 and Crusade; cosmopolitan anxieties and national identity in Netflix's Marco Polo; mapping Everealm in The Quest; undergraduate perceptions ofthe "medieval" and the "Middle Ages"; and medievalism in the prosopopeia and corpsepaint of Mayhem's De Mysteriis Dom Sathanas.Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.Contributors: Dustin M. Frazier Wood, Daniel Helbert, Ann F. Howey, Carol Jamison, Ann M. Martinez, Kara L. McShane, Lisa Myers, Elan Justice Pavlinich, Katie Peebles, Scott Riley, Paul B. Sturtevant, Dean Swinford, Renée Ward, Angela Jane Weisl, Jeremy Withers.
ANGELA JANE WEISL is Professor of English and Chair of the English Department at Seton Hall University. DANIEL HELBERT is Assistant Professor of English in the Department of Literature and Languages at Young Harris College. DUSTIN M. FRAZIER WOOD is a Lecturer in Englishat the University of Roehampton. SCOTT CORBET RILEY holds a Ph.D. in Literature from UC Santa Cruz and currently teaches Latin at Lakeside School in Seattle, Washington.
Editorial Note - "A Sense of Life in Things Inert": The Animistic Figurations in Nineteenth- and Twentieth-Century Medievalist Texts - Scott RileyFuture Nostalgias: Environmental Medievalism and Lanier's Southern Chivalry - Daniel Glynn HelbertT. H. White's "Forest Sauvage": Nostalgia and Loss - Lisa MyersElvencentrism: The Green Medievalism of Tolkien's Elven Realms - Ann M. MartinezFragmentary Dreams: John Aubrey's Medieval Heritage Construction - Katie PeeblesCharter Horns and the Antiquarian Imagination in Early Modern England - Dustin Frazier WoodGiving Voice to Griselda: Radical Reimaginings of a Medieval Tale - Renée WardMedieval and Futuristic Hells: The Influence of Dante on Ellison's "I Have No Mouth and I Must Scream" - Jeremy WithersReading Westeros: George R. R. Martin's Multi-Layered Medievalisms - Carol JamisonModernity in the Middle: The Medieval Fantasy of (Coopted) Feminism in Disney's Maleficent - Elan Justice (E J) PavlinichFuture Medieval: (Neo)Medievalism in Babylon 5 and Crusade - Ann F. HoweyCosmopolitan Anxieties and National Identity in the Netflix Marco Polo - Kara L. McShaneMapping Everealm: Space, Time, and Medieval Fictions in The Quest - Angela Jane WeislMedievalisms of the Mind: Undergraduate Perceptions of the "Medieval" and the "Middle Ages" - Paul SturtevantMask of the Medieval Corpse: Prosopopeia and Corpsepaint in Mayhem's De Mysteriis Dom Sathanas - Dean Swinford